The Linlithgow Palace was one of the principal residences of the monarchs of Scotland in the 15th and 16th centuries. Although maintained after Scotland's monarchs left for England in 1603, the palace was little used, and was burned out in 1746. It is now a visitor attraction in the care of Historic Environment Scotland.
A royal manor existed on the site in the 12th century. This was replaced by a fortification known as 'the Peel', built in the 14th century by occupying English forces under Edward I. The site of the manor made it an ideal military base for securing the supply routes between Edinburgh Castle and Stirling Castle. The English fort was begun in March 1302 under the supervision of two priests, Richard de Wynepol and Henry de Graundeston.
In 1424, the town of Linlithgow was partially destroyed in a great fire. King James I started the rebuilding of the Palace as a grand residence for Scottish royalty, also beginning the rebuilding of the Church of St Michael immediately to the south of the palace. Over the following century the palace developed into a formal courtyard structure, with significant additions by James III and James IV. James V was born in the palace in April 1512. James V added the outer gateway and the elaborate courtyard fountain. The stonework of the South façade was renewed and unified for James V in the 1530s.
The Duke of Cumberland's army destroyed most of the palace buildings by burning in January 1746. The palace has been actively conserved since the early 19th century. The site is open to visitors all year round. In summer the adjacent 15th-century parish church of St Michael is open for visitors, allowing a combined visit to two of Scotland's finest surviving medieval buildings.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.