The main tower and a secondary tower of Nuraghe Oes contain a single room, which was once divided into three spaces with wooden garrets supported by recesses, attached thanks to holes made in the walls.
Dating back to a period between the Bronze Age and the Iron Age (9th-6th century BC), the Oes is a majestic work of Nuragic architecture, built using well-finished basalt rocks. The main building consists of a tower (keep) with three floors and a truncated cone shape that ‘falls’ on all sides with a uniform slope. It is made up of 29 rows of stones. It is 16 metres tall and has a diameter of 11 and a half metres, making it the largest Nuragic building found so far. It once had a tholos vault (false dome). Against it, there is a bilobed bastion, with a perimeter of 50 metres, on two levels and with two entrances, that encloses a courtyard and two secondary towers. One of these is well-preserved. The overall complex measures 425 square metres and also includes a sacred area, with a fence (temenos) that has a vaguely hexagonal shape and a little megaron temple, the remains of a Tomb of Giants, of which you will notice the stele resting on the ground, a vast residential settlement of circular and oval huts. Their type is uncertain (perhaps cisterns and a second little temple). Between the sacred area and the Nuraghe, twenty rocks laid on edge and fixed in the ground resemble a megalithic circle.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.