St Fagans National Museum of History is an open-air museum in Cardiff chronicling the historical lifestyle, culture, and architecture of the Welsh people. The museum is part of the wider network of Amgueddfa Cymru – National Museum Wales.
It consists of more than forty re-erected buildings from various locations in Wales, and is set in the grounds of St Fagans Castle, a Grade I listed Elizabethan manor house. A six-year, £30-million revamp was completed in 2018 and the museum was named the Art Fund Museum of the Year in 2019.
The museum comprises more than forty buildings representing the architecture of Wales, including a nonconformist chapel (in this case, Unitarian), a village schoolhouse, a toll road tollbooth, a cockpit, a pigsty, and a tannery.
The museum holds displays of traditional crafts, with a working blacksmith forge, a pottery, a weaver, a miller, and a clog maker. It also includes two working water mills: one flour mill and one wool mill. Part of the site includes a small working farm which concentrates on preserving local Welsh native breeds of livestock. Produce from the museum's bakery and flour mill is available for sale.
The medieval parish church of Saint Teilo, formerly at Llandeilo Tal-y-bont in west Glamorgan (restored to its pre-Reformation state), was opened in October 2007 and still serves as a place of worship for Christmas, Easter, and Harvest Thanksgiving. A Tudor merchant's house from Haverfordwest, opened in 2012, is the latest building to be added to the museum's collection. Future plans include the relocation of the historic Vulcan public house from Newtown in Cardiff.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.