St Bodil's Church (Sankt Bodil Kirke) was built around 1200. It was dedicated to the English saint Botulf but by 1530 it had mistakenly become known by the woman's name "Bodil" although there has never been a Saint Bodil. As a result, the parish is called Bodilsker. The church first belonged to the Archbishopric of Lund, then came under the Danish crown at the time of the Reformation. In the 19th century, it became fully independent.
The church consists of an apse, chancel and nave from the Romanesque period, slightly more recent west tower and a Late-Gothic porch for the south door. Foundations unearthed beside the tower indicate that it had originally been planned as a larger addition. There are two rounded arches giving access from the nave to the base of the tower. The large north transept was added in 1911. Although some local sandstone and fieldstone has been used, the predominant building material is limestone which in particular has been used for the door and window frames. The apse ceiling consists of a half-dome vault. There were only three windows in the original building, one in the apse which was restored in 1874 and one on each side of the nave. New windows have since been added. Both the Romanesque portals have been almost fully preserved. The stonework on the south door is particularly well executed.
The bell tower, first documented in 1624, is topped by a half-timbered section and originally served as an entrance portal. The main structure dates from around 1600. Minor repairs were carried out in the 18th century.
Close to the entrance, the former Romanesque font, made of Gotland limestone, is similar to those in Ny Kirke and Vestermarie Church but better proportioned. The new granite font stands to the left of the chancel arch. Above the old font is part of the former Renaissance altarpiece, a painting of Christ on the road to Emmaus by Jørgen Roed. The two candlesticks on the main altar date from the mid 16th century. The carved oak pulpit from c. 1600 has four panels depicting the evangelists and their symbols.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.