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Paulo Cesar (17 months ago)
The city center is very beautiful.
The city center is very beautiful.
The Fountain of Campo das Hortas is an example of the model of fountain seeded throughout the 16th and 17th century Portugal, which was first promoted in 1554 by João Lopes o Velho in Viana do Castelo.
On 8 March 1594, a contract was issued, by Archbishop Agostinho de Jesus for the Archdiocese of Braga, to master-mason Manuel Luis to construct a fountain in the Campo de Santa Ana. There was no indication if the project was completed within the year or pre-defined time. By the 19th century, the fountain was relocated to the Campo das Hortas.
The fountain is implanted in a harmonious location, isolated in the centre of garden space fronting the Arco da Porta Nova. Built on an octagonal base, it consists of alternating four-steps divided by green-space, with a circular tank at the top of the staircase. The circular tank is marked by a column with bowl, decorated in grotesque animals ordered by six spouts, which is repeated in the smaller bowl. From the second segment the column is decorated by three sections: the first with six figures at the spouts, the second with the coat-of-arms of Archbishop D. Baltasar Limpo, and the third a cylindrical body decorated with four rounded spirals. The top of the spire is decorated with an armillary sphere and cross in metal.
References:The Gravensteen is a castle in Ghent originating from the Middle Ages. The name means 'castle of the counts' in Dutch. Arnulf I (918–965), Count of Flanders, was the first to fortify this place, building a medieval bastion on this high sand dune, naturally protected by the river Leie and its marshy banks. This bastion consisted of a central wooden building and several surrounding buildings, also in wood.
In the early 11th century, the wooden building was replaced by a stone residence, consisting of three large halls that made up three storeys, connected by a stone stairwell. The monumental stone staircase, the light openings, the fireplaces built into the walls and the latrines were signs of considerable luxury and comfort in those days. There was probably also a tower.