The city of Porto (Oporto), built along the hillsides overlooking the mouth of the Douro river, is an outstanding urban landscape with a 2,000-year history. Its continuous growth, linked to the sea (the Romans gave it the name Portus, or port), can be seen in the many and varied monuments, from the cathedral with its Romanesque choir, to the neoclassical Stock Exchange and the typically Portuguese Manueline-style Church of Santa Clara.
Archaeological excavations have revealed human occupation at the mouth of the Douro River since the 8th century BC, when there was a Phoenician trading settlement there. By the 5th century the town had become a very important administrative and trading centre. In the succeeding centuries it was subjected to attacks and pillage by successive groups, including Swabians, Visigoths, Normans, and Moors. By the early 11th century, however, it was firmly established as part of the Castilian realm. Expansion came in the 14th century with the construction of massive stone town walls to protect its two urban nuclei: the original medieval town and the hitherto extramural harbour area. The Historic Centre of Oporto is located within the line of these Fernandine walls (named after Dom Fernando, in whose reign they were completed in 1376), together with some smaller areas that retain their medieval characteristics. This area conserves to a large extent Oporto’s medieval town plan and urban fabric, along with some later monumental insertions as well as the two remaining sections of the Fernandine walls.
In this area are many important ecclesiastical buildings such as the cathedral – whose Romanesque core dates to the 12th century – and fine churches in various styles. The historic centre also has a number of outstanding public buildings, including the São João theatre (1796-1798; 1911-1918) and the former prison “Cadeia da Relação” (1765-1796). Among the important later structures are Palácio da Bolsa (1842-1910) and São Bento railway station (1900-1916). This rich and varied architecture eloquently expresses the cultural values of succeeding periods – Romanesque, Gothic, Renaissance, Baroque, neoclassical, and modern. The active social and institutional tissue of the town ensures its survival as a living historic centre.
The historical centre was proclaimed a World Heritage Site by UNESCO in 1996.
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Linderhof is the smallest of the three palaces built by King Ludwig II of Bavaria and the only one which he lived to see completed.
Ludwig II, who was crowned king in 1864, began his building activities in 1867-1868 by redesigning his rooms in the Munich Residenz and laying the foundation stone of Neuschwanstein Castle. In 1868 he was already making his first plans for Linderhof. However, neither the palace modelled on Versailles that was to be sited on the floor of the valley nor the large Byzantine palace envisaged by Ludwig II were ever built.
Instead, the new building developed around the forester's house belonging to his father Maximilian II, which was located in the open space in front of the present palace and was used by the king when crown prince on hunting expeditions with his father.