The Lello Bookstore (Livraria Lello) is one of the oldest bookstores in Portugal and frequently rated among the top bookstores in the world. It originally dates from 1869, but Lello brothers built a new bookstore on the current location in 1906. It was designed by engineer Francisco Xavier Esteves.
The building's exterior has a mixed architectural suggesting Neo-Gothic, and Art Nouveau elements, and in the interior, implied Art Deco elements.
On the first floor, it includes bated arch, divided into three vains, with the central arch providing entrance into the building and decorative lateral windows, each surmounted by flag adapted to the archway. Above this arch are three elongated rectangular windows flanked by two painted figures representing 'Art' and 'Science' (work of Professor Jose Bielman).
Finishing the facade are squared plaits surmounted by three decorated pinnacles, with two pilasters on either side, topped by pinnacles of equal design. Decorative elements complete the facade with alternating geometric shapes that circuit and the firm's name LELLO & BROTHER over the bow, all painted in vivid colours that highlight the white paint on the facade.
The ample interior space is marked by a forked staircase connecting to a gallery on the first floor with detailed wood balusters. Over this staircase is a large 8 by 3.5 metres stained glass window, with the central motto Decus in Labore and monogram of the owners. The ceiling and interiors are treated exhaustively with painted plaster, designed to resemble sculpted wood surfaces and decorative elements. The building still retains the rails and wooden cart once used to move books around the store between the shelves.References:
The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne"s court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.