Porto Cathedral

Porto, Portugal

The Porto Cathedral one of the city's oldest monuments and one of the most important local Romanesque monuments.

Unlike what's often written, the current Cathedral of Porto was not built under the patronage of Bishop Hugo since the pre-Romanesque church is still mentioned in the De Expugnatione Lyxbonensias still extant in 1147. This means the present building was only started in the second half of the century and it would be constantly under works well until the 16th century (without counting later Baroque and 20th century interventions), but there is evidence that the city has been a bishopric seat since the Suevi domination in the 5th-6th centuries.

The cathedral is flanked by two square towers, each supported with two buttresses and crowned with a cupola. The façade lacks decoration and is rather architecturally heterogeneous. It shows a Baroque porch and a beautiful Romanesque rose window under a crenellated arch, giving the impression of a fortified church.

The Romanesque nave is rather narrow and is covered by barrel vaulting. It is flanked by two aisles with a lower vault. The stone roof of the central aisle is supported by flying buttresses, making the building one of the first in Portugal to use this architectonic feature.

This first Romanesque building has suffered many alterations but the general aspect of the façade has remained romanesque.

Around 1333 the Gothic funerary chapel of João Gordo was added. João was a Knight Hospitaller who worked for King Dinis I. His tomb is decorated with his recumbent figure and reliefs of the Apostles. Also from the Gothic period is the elegant cloister, built between the 14th and the 15th centuries during the reign of King John I, who married English Princess Philippa of Lancaster in Porto Cathedral in 1387.

The external appearance of the Cathedral was greatly altered during Baroque times. In 1772 a new main portal substituted the old Romanesque original and the tower cupolas were altered. In 1736 Italian architect Nicolau Nasoni added an elegant Baroque loggia to the lateral façade of the Cathedral. During the War of the Oranges whilst the battle at Amarantewas taking place a group of Spanish soldiers briefly took control of the Cathedral before being overcome by the locals of the town. A marble plaque with a Magnetite backing now hangs up behind the altar in order to remind everyone of those who lost their lives whilst regaining control of the chapel. The magnetite backing was chosen in order to remind those travelling near the cathedral by interfering with the direction in which their compass points,

The interior was also altered during the baroque era. In one of the chapels there is a magnificent silver altarpiece, built in the second half of the 17th century by Portuguese artists. Also in the 17th century the romanesque apse (which had an ambulatory) was torn down and a new one was built in baroque style, later decorated with new wall paintings by Nasoni and choir stalls. The altarpiece of the chapel, designed by Santos Pacheco and executed by Miguel Francisco da Silva between 1727 and 1729, is an important work of Portuguese Baroque.

The three red marble holy-water fonts, supported by a statue, date from the 17th century. The baptistery contains a bronze bas-relief by António Teixeira Lopes, depicting the baptism of Christ by John the Baptist.

The South transept arm gives access to the Gothic cloister, which is decorated with baroque azulejos by Valentim de Almeida (between 1729 and 1731). They depict the life of the Virgin Mary and Ovid's Metamorphoses. The remains of the Early-Romanesque ambulatory contain a few sarcophagi. The terrace is decorated with tile panels by António Vidal. The coffered ceiling of the chapter house was painted with allegories of moral values by Pachini in 1737.

References:

Comments

Your name



Details

Founded: 12th century
Category: Religious sites in Portugal

Rating

4.6/5 (based on Google user reviews)

User Reviews

Juandré Scheepers (6 months ago)
Incredible cathedral to experience. We had to queue for the €3 ticket, which gives you access to the cathedral, the tower, and the bishop’s palace (which is currently closed for renovations -9.23). Before visiting, remind yourself to take some time with your phone and camera packed away to actually see and marvel at the beauty of the cathedral, it’s content and the stunning views which the tower has to offer.
Steve Burek (6 months ago)
We came on a Friday afternoon, it was busy but not too crazy. It's a beautiful old church. Walking into the chapel itself was magical, from the floor to the incredibly ornate carving that covered the altar and ceilings. We went upstairs to the tower. The climb is not for the faint of heart but the view was worth it.
DigitalAmoeba (6 months ago)
Great impressive cathedral, cloister and a range of other rooms. It's also possible to climb the tower all the way to the top for a magnificent 360 degree view across Porto. Only €3 entry for just the Cathedral, or there's a combined ticket if you also want to see the Bishop's Palace next door. Amazing blue tile work contrasting with stonework
John (7 months ago)
Incredible city to visit!! Had the opportunity to see the Porto Cathedral while visiting. You need to experience a mass if your able. The acoustics inside are spectacular!! There was a mass going on and the organ filled the area with blissful sounds!! It’s a free entrance and wonderful way to see the past architecture of Porto.
Michael Kennedy (8 months ago)
Note: admission helps preserve the property and its treasures. Located on the top of a hill this cathedral is one of the most impressive things Porto. It can get busy but I suggest you definitely make the track up to the top of the tower amazingly stunning views and also the bishop's quarters is very impressive as well some of the blue drawings and paintings are amazing the level of details just stunning and you won't regret it.
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Château de Foix

The Château de Foix dominates the town of Foix. An important tourist site, it is known as a centre of the Cathars. Built on an older 7th-century fortification, the castle is known from 987. In 1002, it was mentioned in the will of Roger I, Count of Carcassonne, who bequeathed the fortress to his youngest child, Bernard. In effect, the family ruling over the region were installed here which allowed them to control access to the upper Ariège valley and to keep surveillance from this strategic point over the lower land, protected behind impregnable walls.

In 1034, the castle became capital of the County of Foix and played a decisive role in medieval military history. During the two following centuries, the castle was home to Counts with shining personalities who became the soul of the Occitan resistance during the crusade against the Albigensians.