The Monastery of Dumio (São Martinho de Dume), is a former paleo-Christian monastery in the civil parish of Dume, municipality of Braga, in northwestern Portugal. Originally a Roman villa, it was the base of a basilica by Suebi tribes, and later Christian monastery headed by Martin of Braga in the 6th century (c. 550–560). The re-discovery of the Roman ruins in the late 20th century resulted in archaeological excavations that unearthed its former use.
The ruins are located around the Lugar da Igreja or Lugar do Assento on the square occupied by the parochial church of Dume. Occupying a rural landscape, the space is an ample property that include the Church of São Martinho de Dume, constituted by a central nucleus of the courtyard, the chapel of Nossa Senhora do Rosário and backyard of the Casa do Assento, on the same block occupied by the local cemetery.
The archaeological ruins in Dume encompass a complex of structures that include: a grande Roman villa (with a habitational zone) and bathhouse; remnants of a granite basilica in the form of a Latin cross (oriented east to west); with regularly horizontal aligned deposits in mortar, pavement and polychromatic mosaics; and a necropolis consisting of twelve graves, located in an area defined by granite slabs and/or brick coverage. These individual spaces were occupied successively over a 2000-year period.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.