St. Peter and St. Paul's Cathedral is the cathedral church of the Roman Catholic Apostolic Administration of Estonia. Catholicism was introduced to Estonia by force via the Northern crusades and dominated religious life during the Middle Ages. However, following the Reformation during the 16th century, Lutheranism took its place as the dominant faith, and during the time of Swedish rule in Estonia, Catholicism was banned.
Following Sweden's loss of Estonia to the Russian Empire during the Great Northern War, religious freedom was introduced by the new authorities. In 1799, the Catholic parish had grown large enough to be granted the former refectory of the long-since closed St. Catherine's Monastery as a place of worship on the site of the present church. In 1841, designs were made for a proper new church building for the site, which had grown too small. The architect was the well-known St. Petersburg architect Carlo Rossi. He designed a neo-Gothic basilica, without an apse, with a neo-classical exterior.
Between 1920 and 1924, the main, western façade received its present look, a work by architects Erich Jacoby and Franz de Vries somewhat deviating from Rossi's original façade. The interior of the church still reflects Rossi's design, however the wooden, neo-Gothic decoration has been removed. The cathedral has undergone a series of renovations, the latest in 2002–2003.
The cathedral incorporates several works of art, including works by local Baltic German artists Carl Sigismund Walther, Robert Salemann and a copy of a painting by Guido Reni.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.