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St. Patrick's Cathedral in Armagh, Northern Ireland is the seat of the Catholic Archbishop of Armagh, Primate of All Ireland. It was built in various phases between 1840 and 1904 to serve as the Roman Catholic Cathedral of the Archdiocese of Armagh.
Although the decorative style of the cathedral was thus significantly changed in 1982, the building itself had not undergone any major structural works since the replacement of the aisle roofs in 1904.
The altar was inspired by early-Irish crosses and has imagery of Christ (Crucified, Risen, Return in Glory), flanked by Apostles, on three sides. The fourth side visible from the main body of the Church shows Our Lord with four Irish saints: St. Patrick, St. Malachy, St. Brigid and St. Oliver Plunkett. Two pairs of brass gates which had survived from the 1899 marble Rood Screen were replicated several times over, welded together, topped with an entirely unconvincing poor quality Gothic cresting and made into a new fully brass screen behind the high altar, restoring a separate Lady Chapel area as the culmination of an ambulatory around the sanctuary area. The tabernacle was removed to the South transept which was itself screened off with further brass screens and the Cathedra placed on a dais directly behind the new altar. An Evangelarium was created in the South tower (now converted to a shop) and the baptistry was restored at the base of the North tower. The base of McCarthy's reredos was restored and the 1904 inlaid marbles uncovered.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.