The Laval Castle (Château de Laval) foundation in the 10th century allowed the birth of the city. Emblematic monument of Laval, it occupies a rocky promontory above the Mayenne River. It is composed of two distinct ensembles: the Old Castle (Vieux-Château), which corresponds to the medieval fortified castle, and the New Castle (Château-Neuf), a Renaissance gallery transformed into a courthouse in the 19th century.
The history of the Château de Laval is closely linked to that of the House of Laval, which began with Guy I, the founder of the castle. The monument bears witness to the multiple alliances contracted by this family, as well as to its power, which grew from the 11th century until its disappearance at the end of the Renaissance. The Old Castle is remarkable for its 11th century chapel as well as for its imposing main tower, topped by a 13th century wooden hoarding, an exceptional example of medieval military architecture. The richly worked bays of the medieval dwellings, built in the early 16th century, and the gallery of the Château-Neuf, dating from the 1540s, are striking elements of the Renaissance that show the evolution of architecture at that time.
Since the relocation of the judicial services in the 2000s, the Château-Neuf has been awaiting reconversion. The Old Castle, which served as a prison from the Revolution to 1911, has been open to the public since the 1920s. Initially devoted to archaeology, natural history and decorative arts, it has been home to the Musée d'Art naïf et d'Arts singuliers de Laval since 1967. This museum presents works by numerous artists representative of Naive art and Art Singulier.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.