Solesmes Abbey was founded in 1010 by Geoffrey, Lord of Sablé, who donated the monastery and its farm to the Benedictine monks. In the 12th century, a lord of Sablé returned from the Holy Land in possession of a relic. This relic, being a piece from the crown of thorns was given to the brothers at Solesmes for safekeeping and veneration. The presence of this relic drew crowds and allowed the monastery to gain popularity and fame.
Solesmes was sacked and burned during the Hundred Years' War but was later restored. The rebuilding of the church started towards the end of the 15th century. Prior Philibert de la Croix changed its plan from the basilica form to a Latin cross. His successor, Jean Bougler (1505–1556), completed the restoration of the church, added the tower, and rebuilt the cloisters, sacristy, and library.
From the 17th century on, Solesmes Abbey underwent a slow decline under a series of commendatory abbots. During the French Revolution, at the beginning of 1791, the monks began to leave the monastery, and those who resisted were imprisoned or deported to the Island of Jersey. In 1825, government property administrators sold the monastic buildings and 145 acres with its farms.
The church is long, narrow, and composed of two sections: the Nave and the Monk's Choir. The Nave was built between the 11th and 15th centuries and the Monk's Choir was built by Dom Prosper Guéranger in 1865. In the nave, a large stained glass window had to be blocked to install a great organ, which now sits in the back of the nave.
Solesmes currently holds two well-manicured gardens. The smallest of the two, being the guesthouse terrace gardens surrounds a small house coated in coarse pink plaster. This area, as well as the adjacent slope (informally referred to as 'the valley' by members of the congregation) is accessible by retreaters for meditation and reflection. The larger of the two gardens is located within the enclosure.
Located within the transept of the church are 'The Saints of Solesmes.' These artistic masterpieces, whose creators have been lost to time, are displayed on both the North and South sections of the transept. Their estimated construction period was from c. 1530 – c. 1553 (being the date inscribed on the South colonnade). It is unknown who sculpted these icons, as nearly all of the monastery's archives were destroyed during the French Revolution. In addition, any records of who financed the creation of the Saints of Solesmes was lost with the destruction of the monastery's archives as well. It can be inferred the Saints of Solesmes were donated by wealthy benefactors, as the priory's finances at this time period would not have been able to finance a project of this magnitude.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.