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Saint Conan’s Kirk is one the most popular things to visit in Argyll. It was designed by the architect Walter Douglas Campbell, a younger brother of Archibald Campbell, 1st Baron Blythswood. It was built in 1881-1886; and substantially extended from 1906 to 1914, the year of his death. Campbell also designed in similar style the family mansion nearby on Innis Chonain for himself, his artist sister Helen and mother, the elderly Mrs Caroline Campbell of Blythswood, formerly resident in Blythswood House downriver from Glasgow. The heavy oak beams in the cloister are believed to have come from the (then) recently broken up wooden battleships, HMS Caledonia and HMS Duke of Wellington.
An eclectic blend of church styles, from ancient Roman to Norman, it is built of local stone. It consists of a nave and chancel, with the chancel-stalls being canopied. Large, unsmoothed boulders of granite from nearby Ben Cruachan, form the piers which carry the chancel arch, and the transepts make the Sacred Cross. There is also a tower and spire. Walter was unmarried and left no heirs. His sister Helen Douglas Campbell ensured that final work was in progress by 1927, the year of her death. The Kirk was consecrated in 1930.
Fittings included a small organ. One ancient window from South Leith Parish Church was re-used at St Conan's. It also houses a fragment of bone that is said to have come from Robert the Bruce, King of Scotland.
The YouTube video about this Kirk is OUTSTANDING!
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.