With its commanding position alongside the River Moselle, located at the junction of the three main Roman roads and at the end of the Trans-Burgundy highway, Châtel played a strategic role throughout its long history up to 1940-44 during World War II.
From the year 1072 until 1373, it belonged to the Earls of Vaudémont, related to the House of Lorraine. It then became the property of a most prominent Burgundian family, the Lords of Neufchâtel, after the wedding of daughter Alix de Vaudémont with Thiebaut VII of Neufchâtel-Burgundy.
It became the centre of a wide territory which supported the Burgundian cause for years. In 1544, the House of Lorraine gained possession of Châtel, thus ending a legal wrangling between Elisabeth of Neufchâtel's heirs. Then the fortress stood up against the French invasion during the Thirty Years' War and changed hands nine times.
It was finally completely dismantled in 1671 on Louis the XIV's orders.
Built on the edge of a jutting limestone promontory alongside the Mosel River, surrounded by dry ditches 58 m wide, the castle dominated the medieval town and its surrounding walls with its twelve towers and two main gates.
The first structure, built during the 11th and 12th century, showed a single rectangular keep. It was enlarged during the 13th century and further extended in the 15th century to become one of the most important places in the area, with a unique attempt to match the evolving needs of modern artillery.
Two curtain walls, with a total combined length of about one mile (1.4 km), comprised not less than 22 towers. A sophisticated network of storerooms and galleries completed the fortress' defenses and allowed communication between the castle, the town downwards, and the river banks.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.