Lindholmen Castle Ruins

Svedala, Sweden

Lindholmen Castle is a former Danish fortified castle on the banks of lake Börringe. It became an important fortification in the defence of Scania during the Middle Ages because of its strong encircling defensive walls and double moats. At the time, a small river and treacherous marshes made the terrain surrounding the castle hard to navigate. Originally a private castle, it was in 1339 turned over to Magnus Eriksson, king of Sweden, Norway and Scania.

In 1395, Margaret I of Denmark used the castle to conduct peace negotiations with the deposed king of Sweden, Albrecht von Mecklenburg, who had been forced to give up the Swedish throne in her favor. The meeting at Lindholmen to determine Albrecht's fate lasted 16 days and was attended by so many participants that tents had to be erected on the castle grounds to accommodate them. Before the negotiations in 1395, the Swedish king had been held prisoner in Lindholmen Castle for close to seven years. He was captured and taken there following his defeat at the battle of Falköping in 1389. During his imprisonment, the Danish queen was the de facto ruler of Sweden.

During the 15th century, the castle's importance waned. It was torn down in the 16th century in order to provide building material for Malmöhus Castle. When Scania became Swedish in 1658, Charles X Gustav gave Lindholmen estate, along with Börringe Abbey, to his son Gustaf Carlson. During the reduction, Lindholmen became crown property and was leased out. In 1723, Lindholmen and Börringe Abbey were bought by Erasmus Clefwe and in 1827 the joined estates were divided into smaller pieces and sold off.

Today a grassy mound is the only structural remainder of Lindholmen Castle.

References:

Comments

Your name



Details

Founded: 14th century
Category: Ruins in Sweden
Historical period: Consolidation (Sweden)

User Reviews

Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Mosque–Cathedral of Córdoba

The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.

According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.

In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.

The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.

Architecture

The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.

In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.

The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.