Lund Cathedral was consecrated in 1145, and contains many well-known artefacts and features of considerable historical interest. Since then service has been held here every day for almost 900 years. Today over 700 000 persons visit the church each year with some 85 000 who attends a service.
The first cathedral was built in Lund before 1085, but it is difficult to know if the present building was built in the same place. The Cathedral School was established in 1085, making it Denmark's oldest school. The building of the present Cathedral began in 1080s. Its first Archbishop, Ascer, consecrated the high altar in the Crypt in 1123; and his successor, Archbishop Eskil, then consecrated the main cathedral building in 1145.
During the 16th century the Cathedral was restored by the West-phalian stone mason, Adam van Düren, and his sculptured figures can be seen in several parts of the building. In the 19th century the Cathedral was again thoroughly renovated, first by C.G. Brunius, and then by Helgo Zettervall. Further restoration work was undertaken in the period 1954-63 by Eiler Graebe.
Among the Cathedral’s many attractions, there is the magnificent horological artistic masterpiece, Horologium mirabili Lundense, dating from 1424. This early time and dating machine is still in working order with it rotating mechanical figures marking the passage of time. The Crypt is yet guarded by the figure of Giant Finn. There are also three rare bronze pillars with mounted statues from around 1240. The finely carved oak choir stalls are from the middle of the 14th century; and the majestic altar dates from 1398. On the other hand, the fine Absidens mosaic by Joakim Skovgaard, is from the 1920´s.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.