Lund Cathedral was consecrated in 1145, and contains many well-known artefacts and features of considerable historical interest. Since then service has been held here every day for almost 900 years. Today over 700 000 persons visit the church each year with some 85 000 who attends a service.
The first cathedral was built in Lund before 1085, but it is difficult to know if the present building was built in the same place. The Cathedral School was established in 1085, making it Denmark's oldest school. The building of the present Cathedral began in 1080s. Its first Archbishop, Ascer, consecrated the high altar in the Crypt in 1123; and his successor, Archbishop Eskil, then consecrated the main cathedral building in 1145.
During the 16th century the Cathedral was restored by the West-phalian stone mason, Adam van Düren, and his sculptured figures can be seen in several parts of the building. In the 19th century the Cathedral was again thoroughly renovated, first by C.G. Brunius, and then by Helgo Zettervall. Further restoration work was undertaken in the period 1954-63 by Eiler Graebe.
Among the Cathedral’s many attractions, there is the magnificent horological artistic masterpiece, Horologium mirabili Lundense, dating from 1424. This early time and dating machine is still in working order with it rotating mechanical figures marking the passage of time. The Crypt is yet guarded by the figure of Giant Finn. There are also three rare bronze pillars with mounted statues from around 1240. The finely carved oak choir stalls are from the middle of the 14th century; and the majestic altar dates from 1398. On the other hand, the fine Absidens mosaic by Joakim Skovgaard, is from the 1920´s.References:
The Arch of Constantine is situated between the Colosseum and the Palatine Hill. It was erected by the Roman Senate to commemorate Constantine I's victory over Maxentius at the Battle of Milvian Bridge in 312. Dedicated in 315, it is the largest Roman triumphal arch. The arch spans the Via triumphalis, the way taken by the emperors when they entered the city in triumph.
Though dedicated to Constantine, much of the decorative material incorporated earlier work from the time of the emperors Trajan (98-117), Hadrian (117-138) and Marcus Aurelius (161-180), and is thus a collage. The last of the existing triumphal arches in Rome, it is also the only one to make extensive use of spolia, reusing several major reliefs from 2nd century imperial monuments, which give a striking and famous stylistic contrast to the sculpture newly created for the arch.
The arch is 21 m high, 25.9 m wide and 7.4 m deep. Above the archways is placed the attic, composed of brickwork reveted (faced) with marble. A staircase within the arch is entered from a door at some height from the ground, on the west side, facing the Palatine Hill. The general design with a main part structured by detached columns and an attic with the main inscription above is modelled after the example of the Arch of Septimius Severus on the Roman Forum.