Malmö Castle (Malmöhus) was founded in 1434 by King Eric of Pomerania. This structure was demolished in early 16th century. The castle acquired its present appearance following major reconstruction in the 1530’s, when King Christian III ordered the building of a modern fortress, splendid Renaissance castle and county governor´s residence, all on the one site. Historically, this fortress was one of the most important strongholds of Denmark.
Denmark´s coins were minted there in the Middle Ages. Crown Prince Frederick held wild parties in the 16th century. Prisoners were beheaded in the courtyard in the 19th century. Malmöhus has now been restored in the spirit of the 16th century and is part of the Malmö Museums, the largest museum in southern Sweden. The castle is part of Sweden´s cultural heritage and is managed by the National Property Board.
The castle was for five years (1568-1573) the prison of James Hepburn, 4th Earl of Bothwell, third husband of Mary, Queen of Scots. The earl was taken into custody on the orders of the Protestant Danish king Frederick II of Denmark when his ship ran aground in Bergen, Norway during a storm. He was sent to Malmö Castle to be imprisoned, although he had previously been released from Tower of London for lack of evidence in the murder of Mary's second husband, Henry Stuart, Lord Darnley. As a bachelor, Frederick II courted Elizabeth I of England and was made a Knight of the Garter. Some sources suggest a second reason for the involvement in this matter by the Danish king; he is thought to have held hopes of collecting a ransom from Scotland. However, the Earl of Bothwell died in 1578 in Dragsholm Castle, Zealand, where he had been moved after the first five years in Danish captivity, without ever being the subject of Danish-Scottish negotiations for his release.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.