Hvitträsk atelier was built between 1901-1903 by architects Herman Gesellius, Armas Lindgren and Eliel Saarinen. The main building, designed in National Romantic style, built of logs and natural stone, was both a common studio and a home for Eliel Saarinen and Armas Lindgren for some years after it was completed.

Seveval famous artists, including Jean Sibelius, Axeli Gallen-Kallela and Maksim Gorki, visited in Hvitträsk. It later became the private residence of Eliel Saarinen. It’s a museum today, and within the courtyard building are a restaurant and a café. Hvitträsk and its lovely English style garden are surrounded by beautiful nature near the shore of Lake Vitträsk.

Reference: National Board of Antiques

Comments

Your name



Details

Founded: 1902-1903
Category: Palaces, manors and town halls in Finland
Historical period: Russian Grand Duchy (Finland)

Rating

4.5/5 (based on Google user reviews)

User Reviews

Petra Wager (12 months ago)
Beautiful manor and garden
Minh Long (2 years ago)
In a city full of neoclassic, minimalistic and functional design, this building still stands out as one of the best examples of Finnish architecture. The view over the lake is glorious at almost any time of the year. It is well maintained and organized.
Minh Long (2 years ago)
In a city full of neoclassic, minimalistic and functional design, this building still stands out as one of the best examples of Finnish architecture. The view over the lake is glorious at almost any time of the year. It is well maintained and organized.
K L (2 years ago)
Wonderfull view
K L (2 years ago)
Wonderfull view ? Here you can test youre condition at stairs to lake ☺️
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Royal Palace of Naples

Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.

Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.

In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.

During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.

In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.

The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.