To the north of Kauppatori Square stands the Presidential Palace, one of C. L. Engel’s grand neo-classical buildings. Originally at the beginning of 19th century, a salt storehouse stood on the site. The entire lot was bought by merchant Johan Henrik Heidenstrauch who built the first palace in 1820. He had to sell it to the senate of Finland in 1837 and the building was moved to the official residence of the Tsar or Russia (Imperial Palace of Finland).
The necessary rebuilding and furnishing work, carried out between 1843 and 1845, was directed by architect Carl Ludvig Engel, the creator of neoclassical Helsinki. The Imperial family of Russia visited in palace several times between 1854-1915.
During the World War I palace functioned as military hospital for Russian Army. In the Finnish Civil War (1918) it was first the headquarters of the Executive Committee of the Helsinki Workers and Soldiers Soviet. With the victory of the Whites, the Reds abandoned the Palace, which was temporarily used by German and White Finnish military staff. After the war it was quickly converted to the presidential palace of independent Finland. Complete repairs were made at speed, with the furnishings and art collections of the Palace being returned from storage in the National Museum and the Ateneum Art Museum, and also being supplemented. Since then, it has been the official residence of the President. The Palace was again refurbished and modernised by Martti Välikangas in 1938.
The Presidential Palace is open for tours, which can be arranged through Helsinki Expert.
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.