Wanås Manor, first owned by Squire Eskild Aagesen (around 1440), has one of the most fascinating histories of all of Skåne’s stately homes. Its geographical location left Wanås vulnerable during the Swedish-Danish wars, and the original castle was burned to the ground in the Northern Seven Years’ War. A new building erected in 1566 incorporated what remained of the old one. Drawings from 1680 show the manor house more or less as it appears today.
During the Snapphane wars Wanås was a centre for the Danish resistance and their enemies were hanged from the 500-year-old oak that still stands in the Park. After the turbulent years of war, extensive repairs were undertaken by Baroness Lena Sofia von Putbus, whose initials can be seen on the eastern gable of the main building. The old cowsheds and stables were built by Betty Jennings between 1756 and 1760. Since the early 1800s Wanås has been owned by the Wachtmeister family. The castle is today a private home. The park is open to the public.References:
The Castle of Gruyères is one of the most famous in Switzerland. It was built between 1270 and 1282, following the typical square plan of the fortifications in Savoy. It was the property of the Counts of Gruyères until the bankruptcy of the Count Michel in 1554. His creditors the cantons of Fribourg and Bern shared his earldom. From 1555 to 1798 the castle became residence to the bailiffs and then to the prefects sent by Fribourg.
In 1849 the castle was sold to the Bovy and Balland families, who used the castle as their summer residency and restored it. The castle was then bought back by the canton of Fribourg in 1938, made into a museum and opened to the public. Since 1993, a foundation ensures the conservation as well as the highlighting of the building and the art collection.
The castle is the home of three capes of the Order of the Golden Fleece. They were part of the war booty captured by the Swiss Confederates (which included troops from Gruyères) at the Battle of Morat against Charles the Bold, Duke of Burgundy in 1476. As Charles the Bold was celebrating the anniversary of his father's death, one of the capes is a black velvet sacerdotal vestment with Philip the Good's emblem sewn into it.
A collection of landscapes by 19th century artists Jean-Baptiste-Camille Corot, Barthélemy Menn and others are on display in the castle.