Trinity Church (Heliga Trefaldighetskyrkan) was built between 1617 and 1628 by Christian IV of Denmark. He had founded the city of Kristianstad in 1614 at a time when Scania was part of the Kingdom of Denmark. The church's large size and style reveal the king's ambitions for his new city.
Designed by the Flemish-Danish architect, Lorenz van Steenwinckel, the grandiose building is widely considered by many to be Scandinavia's finest Renaissance church. Its extensive nave is able to accommodate congregations of up to 1,400. Like many Danish churches of the times, it is built of red brick. But this church is decorated with many sandstone statues and ornaments, including several monograms of Christian IV, testifying to his involvement.
The well-preserved interior is decked with star-shaped cross vaults, supported by pillars of granite. Trinity Church has been little altered since it was built. The main addition is its 59-meter-tall tower constructed in 1865. The church is pleasantly and abundantly illuminated thanks to its 26 tall windows. The entrance through the western tower opens into a six-bay nave, with wide aisles, terminating in a projecting eastern sanctuary. The vaults are covered with a cross-gabled roof, with large ornamented gables on the north and south sides.
The pulpit, which is sculpted in Belgian and Italian marble, shows Christ and the four evangelists. The impressive canopy hanging above the pulpit weighs almost a ton. The Baroque organ case by German-born Johan Lorentz from 1630 is still equipped with the original pipes although the works themselves have been replaced. It is used both for concerts and church services. The delicately carved benches are as old as the church itself.References:
The Arch of Constantine is situated between the Colosseum and the Palatine Hill. It was erected by the Roman Senate to commemorate Constantine I's victory over Maxentius at the Battle of Milvian Bridge in 312. Dedicated in 315, it is the largest Roman triumphal arch. The arch spans the Via triumphalis, the way taken by the emperors when they entered the city in triumph.
Though dedicated to Constantine, much of the decorative material incorporated earlier work from the time of the emperors Trajan (98-117), Hadrian (117-138) and Marcus Aurelius (161-180), and is thus a collage. The last of the existing triumphal arches in Rome, it is also the only one to make extensive use of spolia, reusing several major reliefs from 2nd century imperial monuments, which give a striking and famous stylistic contrast to the sculpture newly created for the arch.
The arch is 21 m high, 25.9 m wide and 7.4 m deep. Above the archways is placed the attic, composed of brickwork reveted (faced) with marble. A staircase within the arch is entered from a door at some height from the ground, on the west side, facing the Palatine Hill. The general design with a main part structured by detached columns and an attic with the main inscription above is modelled after the example of the Arch of Septimius Severus on the Roman Forum.