Bohus Fortress construction began in 1308 under King Haakon V Magnuson, king of Norway from 1299 until 1319. At the time Bohuslän was Norwegian territory and it served as a main Norwegian defence against Sweden along the coast as well as the strong point for the Bohuslän region from 1308 until 1658.
According to architect Guthorm Kavli, by 1310 records show it was constructed, as normal for that period, out of granite and brick, perhaps under the guidance of Count Jacob of Halland. By 1450 it included a continuous surrounding wall, 3 metres thick at the base, with a height which varied from 8.5 to 13.5 metres, varying with the terrain. It was approximately rectangular, with four rectangular corner towers. At the eastern end there was a brick tower, and in the centre of the west side a gate house and drawbridge. Along the inside of the surrounding wall buildings were located which among other things included the 'Kings hall,' the castle commander’s residence, the chapel, the guardroom, the barracks and the kitchen. The fortress had secure vaulted positions, partly cut into the mountain, and beyond that strong outer-works. At the time Båhus was Norway's strongest fortress. The approaches were very difficult and the area to be defended was small, only 250 x 150 metres, so it did not require a large defensive force.
The fortress was invested numerous times, but was never captured. During the Northern Seven Years' War (1563–1570) it was seriously damaged. This occurred in 1566, when 250 Swedish soldiers successfully stormed the northeastern-most tower. The Norwegian commander sent a volunteer to blow up the ammunition stores underneath the tower, killing the Swedes and repelling the attack. As a reward the family of the volunteer got a piece of land which is still in property of the descendants of this volunteer.
The Norwegians rebuilt the fortress of stone and brick, and substantially reinforced it. The reconstruction immediately after the war was directed by Hans Paaske (Påske) from the Netherlands.
In 1593-1604, similar to the construction then undertaken at Akershus in Oslo, Bohus was upgraded to a bastion fortress. A new outer fortification was raised. This construction was one of the early works by Hans van Steenwinckel, also from the Netherlands, who was later famous for his Dutch Renaissance style design in Denmark.
As Swedish invasions continuously threatened Norwegian Båhuslen in this period, the improvements to the fortifications continued for years. For example from the summer of 1651 through the autumn of 1652 the Dutch engineer Isaac van Geelkerck directed the construction of two corner towers along the south face and a new ring wall was constructed around the arsenal building.
Under the terms of the Treaty of Roskilde in 1658, Denmark–Norway ceded the Danish provinces of Scania, Blekinge and Halland (the latter was agreed to be Swedish for a period of 30 years after the Peace of Brömsebro, but was in the treaty of Roskilde given to Sweden permanently) and the Norwegian provinces Trondhjem and Bohuslän (including Bohus Fortress).
After Denmark–Norway ceded the territory which included Bohus Fortress, Fredriksten Fortress was constructed in Fredrikshald on the newly established Norwegian-Swedish border. Since Bohus Fortress no longer lay on the border, it was of minimal future use to Sweden, which relied on the existing Älvsborg Fortress at Gothenburg and a new Carlsten Fortress erected at Marstrand. Instead the fortress was used as a prison. The most famous prisoner was the radical pietist Thomas Leopold, who during his life spent 42 years behind bars, 32 years at Bohus, for his alleged heresies. His stone cell can be visited at the castle today.
At the end of the 18th century it was decided that the now unused fortress should be demolished. Demolition crews worked at the fortress for two months, at which time the money allocated for the task had run out. Residents of the surrounding town of Kungälv used the dressed stone of the fortress for building houses. However, much of the fortress is still intact, including the large northern tower, 'Fars hatt'. The fortress is now a museum and open to tours in the summer.References:
The Cathedral of Limburg is one of the best preserved late Romanesque style buildings. It is unknown When the first church was built above the Lahn river. Archaeological discoveries have revealed traces of a 9th-century church building in the area of the current chapel. It was probably built in Merovingian times as a castle and the chapel added in the early 9th century.
In 910 AD, Count Konrad Kurzbold (cousin of the future King Konrad I) founded a collegiate chapter of 18 canons, who lived according to the rule of Bishop Chrodegang of Metz, on the hilltop site. The original castle chapel was torn down and a three-aisled basilica was built in its place. The foundations of this basilica have been found beneath the present floor.
The construction of current cathedral is dated to 1180-90. The consecration was performed in 1235 by the archbishop of Trier. It seems certain that the cathedral was built in four stages. The first stage encompassed the west facade, the south side aisle, the choir and the transept up to the matroneum. This section forms the Conradine church. The second stage consisted of the addition of the inner pillars of the south nave. In this stage the bound system was first introduced. In the third phase, the matroneum in the southern nave was built. The fourth stage included the north side of the transept and the choir matroneum. By this stage Gothic influence is very clear.
The interior was destroyed by Swedish soldiers during the Thirty Years War (1618-48) and reconstructed in a late Baroque style in 1749. The Baroque renovation was heavy-handed: the surviving medieval stained glass windows were replaced; all the murals were covered up; the ribs of the vaults and columns of the arcades were painted blue and red; the capstones were gilded; the original high altar was replaced. The colorfully painted exterior was coated in plain white and the central tower was extended by 6.5 meters.
The collegiate chapter of Limburg was dissolved in 1803 during the Napoleonic period, but then raised to the rank of cathedral in 1827 when the bishopric of Limburg was founded. Some renovations in contemporary style followed: the walls were coated white, the windows were redone in blue and orange (the heraldic colors of the Duke of Nassau) and towers were added to the south transept (1865).
Further changes came after Limburg was incorporated into the Kingdom of Prussia in 1866. It was now the Romantic period and the cathedral was accordingly restored to an idealized vision of its original Romanesque appearance. The exterior stonework was stripped of all its plaster and paint, to better conform with the Romantic ideal of a medieval church growing out of the rock. The Baroque interior was stripped away and the wall paintings were uncovered and repainted.
Further renovations came in 1934-35, enlightened by better knowledge of the original art and architecture. Art Nouveau stained glass windows were also added. A major restoration in 1965-90 included replastering and painting the exterior, both to restore it to its original appearance and to protect the stonework, which was rapidly deteriorating while exposed to the elements.
The interior is covered in medieval frescoes dating from 1220 to 1235. They are magnificent and important survivals, but time has not been terribly kind to them - they were whitewashed over in the Baroque period (1749) and uncovered and repainted with a heavy hand in the Romantic period (1870s) before finally being restored more sensitively in the 1980s.