The Göteborg Museum of Art at Götaplatsen, Gothenburg, is renowned for its collection of Nordic art from around the close of the 19th century. A must see is the lavishly decorated Fürstenberg Gallery, named after a leading Gothenburg art donor, Pontus Fürstenberg and his wife Göthilda. Among the artists showcased one can mention Carl Larsson, Anders Zorn, and P.S. Kröyer.
The museum also houses older and contemporary art, both Nordic and international. The Museum has been awarded three stars in the Michelin Guide (Green Guide Scandinavia).
The museum building was created for the international exhibition in Gothenburg 1923 by architect Sigfrid Ericson, celebrating the city's 300th anniversary, and represents the monumental Neo-Classical style in Nordic architecture. It is built of a yellow brick called ”Gothenburg brick” because of the materials frequent use in the city. The museums forms the imposing end of the main street of the city, Kungsportsavenyn.References:
The Externsteine (Extern stones) is a distinctive sandstone rock formation located in the Teutoburg Forest, near the town of Horn-Bad Meinberg. The formation is a tor consisting of several tall, narrow columns of rock which rise abruptly from the surrounding wooded hills. Archaeological excavations have yielded some Upper Paleolithic stone tools dating to about 10,700 BC from 9,600 BC.
In a popular tradition going back to an idea proposed to Hermann Hamelmann in 1564, the Externsteine are identified as a sacred site of the pagan Saxons, and the location of the Irminsul (sacral pillar-like object in German paganism) idol reportedly destroyed by Charlemagne; there is however no archaeological evidence that would confirm the site's use during the relevant period.
The stones were used as the site of a hermitage in the Middle Ages, and by at least the high medieval period were the site of a Christian chapel. The Externsteine relief is a medieval depiction of the Descent from the Cross. It remains controversial whether the site was already used for Christian worship in the 8th to early 10th centuries.
The Externsteine gained prominence when Völkisch and nationalistic scholars took an interest in the late 19th and early 20th centuries. This interest peaked under the Nazi regime, when the Externsteine became a focus of nazi propaganda. Today, they remain a popular tourist destination and also continue to attract Neo-Pagans and Neo-Nazis.