Tjolöholm Castle

Fjärås, Sweden

Tjolöholm Castle is a country house built 1898-1904. It is located on a peninsula in the Kungsbacka Fjord on the Kattegat coast. Tjoloholm Castle was designed in the Arts and Crafts style by architect Lars Israel Wahlmann. In 2010, Danish film director Lars Von Trier shot the exterior scenes of the film Melancholia at the castle.

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Debra Jane Zeller said 5 years ago
It is spectacular. Worth the effort to see it.


Details

Founded: 1898-1904
Category: Palaces, manors and town halls in Sweden
Historical period: Union with Norway and Modernization (Sweden)

Rating

4.4/5 (based on Google user reviews)

User Reviews

C. Art (4 months ago)
Fantastic experience...I wouldn't name it castle but a mansion. Big beautiful Mansion.
Laimis Stanislauskas (5 months ago)
Nice old building,tidy place place around,beutiful big yard and gardens,close the sea,ideal place visiting familys,walk with kids and dogs.
Jonas Larsson (5 months ago)
I've been twice and both of the times has been really good! The first time was for a guided tour and now last weekend for the Christmas market. It was a lovely event with a great selection of products to buy and great selection in the cafe. The glögg tiramisu was the best desert I have had in years! I want it every day! The sandwiches were also great. The interior design at Tjolöholm is amazing and the vibe in the building is also really cool. I want to come back about twice a year! :)
Bonnie Hui (6 months ago)
I absolutely loved the tour of this beautiful castle and surrounding land. The guided tour is in Swedish but there are English materials. I liked learning the history and enjoyed seeing some of the Downton Abbey exhibit on display. The interior is well restored and preserved. Outside there were food trucks and a fair as it was the weekend.
Yuuka Urabe (6 months ago)
Large nature spot with beautiful small church and british-looking castle. Christmas market was very worth visiting, you can find some local products and have fika at one of their cozy cafes.
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Porta Nigra

The Porta Nigra (Latin for black gate) is the largest Roman city gate north of the Alps. It is designated as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site. The name Porta Nigra originated in the Middle Ages due to the darkened colour of its stone; the original Roman name has not been preserved. Locals commonly refer to the Porta Nigra simply as Porta.

The Porta Nigra was built in grey sandstone between 186 and 200 AD. The original gate consisted of two four-storied towers, projecting as near semicircles on the outer side. A narrow courtyard separated the two gate openings on either side. For unknown reasons, however, the construction of the gate remained unfinished. For example, the stones at the northern (outer) side of the gate were never abraded, and the protruding stones would have made it impossible to install movable gates. Nonetheless, the gate was used for several centuries until the end of the Roman era in Trier.

In Roman times, the Porta Nigra was part of a system of four city gates, one of which stood at each side of the roughly rectangular Roman city. The Porta Nigra guarded the northern entry to the Roman city, while the Porta Alba (White Gate) was built in the east, the Porta Media (Middle Gate) in the south, and the Porta Inclyta (Famous Gate) in the west, next to the Roman bridge across the Moselle. The gates stood at the ends of the two main streets of the Roman Trier, one of which led north-south and the other east-west. Of these gates, only the Porta Nigra still exists today.

In the early Middle Ages the Roman city gates were no longer used for their original function and their stones were taken and reused for other buildings. Also iron and lead braces were broken out of the walls of the Porta Nigra for reuse. Traces of this destruction are still clearly visible on the north side of the gate.

After 1028, the Greek monk Simeon lived as a hermit in the ruins of the Porta Nigra. After his death (1035) and sanctification, the Simeonstift monastery was built next to the Porta Nigra to honor him. Saving it from further destruction, the Porta Nigra was transformed into a church: The inner court of the gate was roofed and intermediate ceilings were inserted. The two middle storeys of the former gate were converted into church naves: the upper storey being for the monks and the lower storey for the general public. The ground floor with the large gates was sealed, and a large outside staircase was constructed alongside the south side (the town side) of the gate, up to the lower storey of the church. A small staircase led further up to the upper storey. The church rooms were accessible through former windows of the western tower of the Porta Nigra that were enlarged to become entrance doors (still visible today). The top floor of the western tower was used as church tower, the eastern tower was leveled, and an apse added at its east side. An additional gate - the much smaller Simeon Gate - was built adjacent to the East side of the Porta Nigra and served as a city gate in medieval times.

In 1802 Napoleon Bonaparte dissolved the church in the Porta Nigra and the monastery beside it, along with the vast majority of Trier"s numerous churches and monasteries. On his visit to Trier in 1804, Napoleon ordered that the Porta Nigra be converted back to its Roman form. Only the apse was kept; but the eastern tower was not rebuilt to its original height. Local legend has it that Napoleon originally wanted to completely tear down the church, but locals convinced him that the church had actually been a Gaulish festival hall before being turned into a church. Another version of the story is that they told him about its Roman origins, persuading him to convert the gate back to its original form.

In 1986 the Porta Nigra was designated a World Heritage Site, along with other Roman monuments in Trier and its surroundings. The modern appearance of the Porta Nigra goes back almost unchanged to the reconstruction ordered by Napoleon. At the south side of the Porta Nigra, remains of Roman columns line the last 100 m of the street leading to the gate. Positioned where they had stood in Roman times, they give a slight impression of the aspect of the original Roman street that was lined with colonnades. The Porta Nigra, including the upper floors, is open to visitors.