The post-Franciscan Church of the Assumption of the Blessed Virgin Mary, erected in the second half of the 14th century, is one of the most outstanding artistic and architectural achievements of sacral architecture in Poland. In the 14th century it was the highest hall church in Central Europe with the naves and aisles 26.8 metre high. The church provided inspiration for the extension of St. Johns’ Church in Toruń and St. Mary’s Church in Gdańsk in the 15th century. According to the Franciscan rule, the church does not have a tower but three rather small ave-bell towers instead. The church and the cloister remained in Franciscan hands up to the Reformation period, i.e. up to 1559. The cloister, which was the oldest and most significant in the whole of the Teutonic state, was the residence of the Prussian custos. Here during the synod of 1243 a papal bull was announced dividing the Teutonic state into four dioceses.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.