Penningby Castle is one of the most well-preserved castles from the early Vasa era. Penningby Manor is first mentioned in the 1330s. To the northeast is an overgrown ruin castle with a moat, which may be the remains of a predecessor to the castle. Its earliest owners included Lord Tord Bonde, burgrave of Raasepori and margrave of Viipuri castles. In late 15th century, a fortress was built by its owners, initiated by Lady Birgitta Tordsdotter Bonde, daughter of Tord Karlsson (Bonde), Lord High Constable of Sweden. The medieval castle was a so-called twin house unusual in its placement near the sea coast.
The immense tower was erected just before 1550s under Lord Lars Turesson, Tre Rosor. In his time, the eastern façade got a new entrance. Later, the sea tower got its round salon, arguably the most beautiful room in the castle.
In 1805 countess Maria Juliana von Rosen had the castle garden recreated in a so-called English style. In 1831, a fire destroyed the interiors of the castle, but parts of it, for example the ceiling, were restored, and the tower was modified. A section of the medieval walls are yet left. A restoration was carried out from 1951 to 1953. Penningby castle was declared a national cultural heritage (byggnadsminne) in 1980. Today the castle is not inhabited, but visitors may have access to it in summer season.
Olof Persson Stille, one of the early settlers in New Sweden, was employed on the Penningby Manor. In 1641 Olof Stillé, a millwright by trade, was the original owner of the area which is today Eddystone, Pennsylvania. Stillé was one of the four commissaries or magistrates appointed to administer justice among local inhabitants, and thus became a judge of the first court on the banks of the Delaware River.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.