Vyborg Castle was one of the three major castles of Finland. It was built as the easternmost outpost of the medieval Kingdom of Sweden: it is located on the Karelian isthmus, on a little islet in the innermost corner of the Gulf of Finland. It was originally constructed in the 1290s. The town was originally located inside the outer fortifications of the castle, at the fortress island, but it had to be moved to its present location out of the island because of lack of space.
The construction of the fortress started in 1293 by orders of Torkel Knutsson, the Lord High Constable of Sweden who made in 1290s a so-called crusade to Karelia, the so-called Third Finnish Crusade, actually aimed against Russians, i.e.Novgorod. He chose the location of the new fortress to keep the Bay of Vyborg, which was a trading site used by locals already for a long time. From the bay, a river way goes inland, ultimately connecting the place to several districts, lakes, and indirectly also to rivers going to Ladoga.
The three high-medieval Finnish "castle fiefs" were ruled from the castles of Turku, Hämeenlinna and Viipuri, respectively until the 1360s. The castle became the stronghold of the Swedish realm in Karelian regions. Throughout the centuries, it was the first defence of the kingdom against Russians. Its military and strategic status was in the late Middle Ages only second to the fortified capital Stockholm.
The castle and the large surrounding fief became a virtually autonomous principality. Its governors were usually fiefed with the incomes of the county. The fief of Viborg became known as a margraviate. Its governors were generally from the most powerful families of the kingdom. They enjoyed large administrative powers and a good distance from the capital. Those realities made them practically independent rulers. Usually, the castle of Olavinlinna (built in 1470s) was subjugated to Viipuri.
Prominent figures who held Viipuri as their fief, were Bo Jonsson Grip, Christer Nilsson Vasa (1417–42), Karl Knutsson Bonde (1442–48, the future king), Eric Axelsson Tott (1457–81), Knut Posse (1495–97), Sten Sture the Elder (1497–99, between his regencies), Eric Bielke and count John of Hoya. Particularly in 1440s and in late 15th century, the fortresses were further enlarged.
The first mention of firearms in Finland relates to Viborg castle, in 1429. During the Middle Ages the castle was repeatedly besieged by the Russians, most famously in 1495, during the Russo-Swedish War (1495–1497). Governor Knut Posse was in office 1495-1497. The situation of the defenders looked hopeless, but they were saved by the Viborg blast on 30 November 1495, a mysterious explosion which scared off the Russians because they reportedly saw a St. Andrew's cross in the sky.
In the 16th century, much was renovated and additions made. In the 17th century, the castle was allowed to decay, as Russian danger was decreased and the border was much more eastwards. Vyborg was taken by the Russians in 1710, but passed back to Finnish hands in 1812 when all of Old Finland was attached to the autonomous Grand Duchy of Finland. The castle owes its present appearance to extensive restorations undertaken in the 1890s. The military of the Russian Empire used the castle until 1918 for housing administration. Viipuri belonged to the independent Republic of Finland between 1917–1940 and again 1941-1944. As a result of border changes in World War II it was annexed by The Soviet Union in 1944.
The main castle, located in the eastern part of the islet on its highest hill, has an irregular four-cornered layout, with the immense tower of St. Olav (Pyhän Olavin torni in Finnish) as its biggest section. It is 3-4 stories tall, varying in places. Outer defensive works surround the main castle, following the islet's coastlines. Today it functions as a museum.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.