Släbro Rock Carvings, Nyköping, Sweden

Släbro is without question one of Sweden’s greatest and most remarkable rock carvings site. Situated near the River of Nyköping the carvings were discovered 1984 and can be dated back to the Bronze Age. They are unique because they are carved in a most unusual way. There are etchings on some ten different surfaces with a total of some 700 figures, mainly frame and circle figures. Many are unique in design, in particular the large stylised human figures in a position of adoration. The characteristics commonly found throughout carvings in the South of Sweden are missing. What is more, the Släbro carvings seem to bear no similarity to any other ancient carvings that have been discovered throughout Europe. The carvings date from 1800 – 400 BC and thus far the meaning behind them remains something of a mystery as it has proven to be extremely difficult to interpret the motif as it appears in literally hundreds of different ways.

References:

Lomography

User Reviews

Lina Lagnesten Cederin (4 years ago)
Stillsam plats

Simon Bergmark (4 years ago)
Ganska medioker plats. Kom hit med förväntningar om en forntida kvarlämning utan motstycke. Visade sig vara berg med klotter på. Hunden hade dock rätt kul. Stora ytor. Skulle nog inte rekommendera att ta sig tiden att besöka denna plats, men råkar du vandra förbi kan det vara kul att slå sig en titt. I några sekunder.

Thommy Andersson (4 years ago)
Klipper gräsmattan där kan tänka hur de var på den tiden dom rista in på berget

Claire Panman - van der Meer (4 years ago)
Beautiful ancient artwork, but in two of the three places we found it very hard to see the drawings. Still absolutely worth the visit.

Confiteor Mea Culpa (4 years ago)
Norr om Nyköping finns det gott om runstenar och hällristningar. Släbro var en mötesplats för redan 2000 år sedan. Hällristningarna i Släbro upptäcktes så sent som 1984, och de är unika eftersom att man ingen annan stans i världen har funnit samma tecken och bilder som de här. De lärda lär tvista om innebörden. Det lär finnas minst 400 hällristningar inknackade i berget alldeles intill Nyköpings å. Det sägs att det unika med Släbroristningen är den enhetliga och ovanliga stil rustningarna knackats in i. Släbro Hällristningar är väl värt ett besök och en kaffekorg rekommenderas att ta med sig

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Royal Palace of Naples

Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.

Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.

In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.

During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.

In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.

The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.

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