The Church of St. Michael

Pälkäne, Finland

The old church of Pälkäne dates back to the beginning of 16th century. During reformation it was modified to meet the requirements of new religious policies. For example wooden statues of Catholic saints were removed.

Church was robbed by the Russian troops during the Greater Wrath in 1714-1721. Church started to dilapidate during the 1740s and it was finally abandoned when new church was completed in 1839. The roof collapsed in winter storm 3.12.1890.

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Address

Rauniokirkontie 16, Pälkäne, Finland
See all sites in Pälkäne

Details

Founded: 1495-1505
Category: Ruins in Finland
Historical period: Middle Ages (Finland)

More Information

www.rauniokirkko.net

Rating

4.9/5 (based on Google user reviews)

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The Artillery Museum of Finland (39,4 km)
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User Reviews

Essi Syrjynen (7 months ago)
Vili mäkelä (7 months ago)
Tunnelmallinen kirkko, upea ja kaunis sisältä
Mikki_ Hiiri (8 months ago)
Hienon näköinen ja hyvällä paikalla. Historiakin on jännää luettavaa
Aku Hytönen (11 months ago)
Hieno ja avara vanha kirkko.
Orava (2 years ago)
Wiki: Pälkäneenkirkko on uusgoottilaistatyylinen suuntaa edustava tiilinen kirkkorakennus Pälkäneellä. Se on arkkitehti Carl Ludvig Engelin piirtämä ja rakennettu vuosina 1836–1839. Professori P. E. Limnellin vuonna 1841maalaama alttaritaulu esittää JeesustaGetsemanessa. Kirkon vieressä on hautausmaa, jonne on haudattu 165 pälkäneläistä sankarivainajaa. Hautausmaalla on Bertel Strömmerin suunnittelema muistokivi. Vuonna 1961 kirkkopihaan pystytettiin Karjalaan jääneiden vainajien muistokivi Elämän kirja.
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The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.

Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.

The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.

In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.

In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.

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