The Saviour Church on Nereditsa is one of Russia's oldest Orthodox churches. It is on the World Heritage list as a part of Historic Monuments of Novgorod and Surroundings. The church was founded in 1198 by Prince Yaroslav Vsevolodovich and decorated with frescoes in 1199. The church was located outside the city of Novgorod but close to the residence of the prince, and the church was regarded by the prince as the place for his future tomb. In 1903-1904 it was measured and extensively restored by Pyotr Pokryshkin.
The small stone church is built as a cube and has one dome. It is based on four pillars and has three apses at the eastern side. The type of a small church was developed in Novgorod in the end of the 12th century, and there are several churches of this type, in Novgorod and in Staraya Ladoga.
The frescoes were created by eight to ten artists. They covered all the interior of the church, including the pillars, the walls, the ceiling, and the dome. There is no apparent system in creating the frescoes. Possible, the painters did nbot know each other and had different styles. In particular, normally a fresco of Christ the Saviour should be painted in the dome. However, for the Saviour Church on Nereditsa, the dome was occupied by the Ascencion. Christ was painted in the dome in Byzantine Empire already in the 9th century, and painting other frescoes in the dome was at the time the sign that the church belongs to a highly peripheral region. The most impressive fresco in the churh was considered to be theLast Judgment, painted over the whole western wall. Only fragments of this fresco survived. In 1246, a fresco portrayed Prince Yaroslav Vsevolodovich was painted in the southern wall.
During World War II the church was located on the front line between 1941 and 1943 and was destroyed. It was subsequently restored, however, most of the frescoes were lost and are currently known because the pre-war photos exist.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.