Fort De Roovere was part of the West Brabant Dutch Water Line. It is an earthen fort that goes through a wall (the Ligneweg) and is connected to Fort Pinssen. The fort is open from the ‘back’, and the ‘front’ consists of two bastions. The fort has a dry moat and the banks are overgrown with trees. In 1747, during the Austrian War of Succession (1740–1748) the fort was under siege by the French. This siege has been extensively documented. Eventually, the fortress Bergen op Zoom fell and the siege was abandoned.
Over the years, the de Roovere fort has fallen into major disrepair. It has only recently been restored through contributions. In addition, a bridge was built to access the fort across its moat. The designers felt it would be inappropriate to build a bridge over the moat, so instead, they decided to construct a partially submerged bridge, rendering it practically invisible. The bridge has taken on the name 'The Moses Bridge,' as it appears to have divided the moat's waters. This design allows people to cross virtually undetected at water level: only a few bobbing heads are usually visible. Its construction is entirely of wood waterproofed with foil.
A foundation has been established, Friends of Fort de Roovere, whose goal is to make sure the fort is not forgotten. In the middle of 2010, extensive renovation of the fort began with the removal of the undergrowth and a deepening of the old moat so that the fort could be more easily recognizable as such. The clearing of the area led to many local protests. Remarkably, very little to no interest was paid toarcheological research as there should be traces of the French siege nearby. Local amateurs with metal detectors still regularly findcannonballs there, which must have come from the siege.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.