A wooden church was built on the site of the current one in Tingstäde during the early 12th century. The church has later been replaced by first a Romanesque church, of which the portals survive, and later once more rebuilt in Gothic style during the 13th and 14th centuries. Few alterations have been made to the church since.
The church was one of three so-called asylum churches on Gotland during the Middle Ages, a place where suspected criminals could find refuge awaiting trial. The name Tingstäde also translates to 'location of a thing', indicating that the place has ancient judicial traditions.
The church has a 55m high tower, adorned with Gothic galleries on several storeys. Inside, remains of picture stones have been used as building material. The nave is vaulted and the ceiling supported by a single, central column with richly sculpted capitals, a work by an anonymous master sculptor sometimes referred to as Master Calcarius during the 13th century. The choir lacks an apse. Externally, the Romanesque portals are also decorated with stone sculptures. Another portal, inside the choir and leading to the vestry, is even older, dating from the 12th century and decorated with the Lamb of God, which is also the heraldic symbol of Gotland. Given the location of the church at an ancient political site, this has led some scholars to speculate whether it was already a symbol for the island during the 1100s.
Tingstäde church has a baptismal font probably made by the little-known Master Majestatis, possibly a remnant of the first, wooden church. The church also has a noteworthytriumphal cross from the 14th century. The altarpiece is considerably later, dating from the 18th century, while the pews are probably from the 17th century.
References:Linderhof is the smallest of the three palaces built by King Ludwig II of Bavaria and the only one which he lived to see completed.
Ludwig II, who was crowned king in 1864, began his building activities in 1867-1868 by redesigning his rooms in the Munich Residenz and laying the foundation stone of Neuschwanstein Castle. In 1868 he was already making his first plans for Linderhof. However, neither the palace modelled on Versailles that was to be sited on the floor of the valley nor the large Byzantine palace envisaged by Ludwig II were ever built.
Instead, the new building developed around the forester's house belonging to his father Maximilian II, which was located in the open space in front of the present palace and was used by the king when crown prince on hunting expeditions with his father.