A wooden church was built on the site of the current one in Tingstäde during the early 12th century. The church has later been replaced by first a Romanesque church, of which the portals survive, and later once more rebuilt in Gothic style during the 13th and 14th centuries. Few alterations have been made to the church since.
The church was one of three so-called asylum churches on Gotland during the Middle Ages, a place where suspected criminals could find refuge awaiting trial. The name Tingstäde also translates to 'location of a thing', indicating that the place has ancient judicial traditions.
The church has a 55m high tower, adorned with Gothic galleries on several storeys. Inside, remains of picture stones have been used as building material. The nave is vaulted and the ceiling supported by a single, central column with richly sculpted capitals, a work by an anonymous master sculptor sometimes referred to as Master Calcarius during the 13th century. The choir lacks an apse. Externally, the Romanesque portals are also decorated with stone sculptures. Another portal, inside the choir and leading to the vestry, is even older, dating from the 12th century and decorated with the Lamb of God, which is also the heraldic symbol of Gotland. Given the location of the church at an ancient political site, this has led some scholars to speculate whether it was already a symbol for the island during the 1100s.
Tingstäde church has a baptismal font probably made by the little-known Master Majestatis, possibly a remnant of the first, wooden church. The church also has a noteworthytriumphal cross from the 14th century. The altarpiece is considerably later, dating from the 18th century, while the pews are probably from the 17th century.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.