Augustenborg Palace owes its name to Duchess Auguste (1633–1701). Augustenborg gave its name to the House of Schleswig-Holstein-Sonderburg-Augustenburg, the last member of which was Duke Christian August II (1798–1869). The original half-timbered manor house was built in 1660-1664 by Ernest Günther, the first Duke of Augustenborg, after he bought the village of Stavensbøl and demolished it for the land.
The one-storey, red-roofed buildings around the outer courtyard were added from 1733 while the main three-winged building, replacing the original manor, was built from 1770 to 1776 in full symmetry, a fine example of Baroque architecture. With its yellow-painted walls and blue-tiled roof, the wings gradually increase in height up to the central section. The three central bays of the facade protrude as an avant-corps three storeys high. Inside a beautiful entrance hall was finished in white-painted stucco by the Italian decorator Michel Angelo Taddei (1755–1831). Taddei also worked on the interior of the two-storey Baroque chapel in the building's northern wing, adding a Rococo altarpiece with an integrated pulpit as well as decorations along the vaults and walls of the nave. During the same period, much of the town was regenerated. The palace building underwent further renovation in the 1920s. Hans Christian Andersen spent two weeks at the palace in the autumn of 1844 and wrote The Little Match Girlwhen he visited the castle.
During the First Schleswig War (1848–50), Christian August II, the last duke to live in the palace, left Augustenborg as a result of his close relations with Germany. Thereafter the building was first used as a barracks and from 1878 as a seminary for women.
In 1921, Augustenborg was purchased by the Danish state. It was fitted out as a hospital in 1927–28 and since 1932 has been used as a psychiatric hospital. There is an exhibit about the palace, the town and its ducal history in the building's entryway.
The largest room in the castle is the church hall, which dates from the late 18th century. Not visible from the outside, it covers the entire two-storey annexe of the north wing and is the successor of an older chapel, from 1671, which was demolished before the construction of the castle. The hall, which has served as the parish church of the town since 1874, was extensively restored in 1972.
The rococo architecture of the church hall is consistent with the rest of the building. The stucco work was probably designed by Michelangelo Taddei. The hall has seven divided window bays. Six Doric and six Corinthian columns separate the room, forming a three-aisled hall. A curved balustrade leads to the pulpit altar on the eastern wall. The organ is placed over the high altar and was built by the Holstein organ builder, Johann Daniel Busch. The Carrara marble baptismal font was a gift of the Russian Tsar Alexander I.
The castle is situated directly above a bay of the Augustenburger Fjord, an arm of the Baltic Sea. The views of the bay and the landscape behind it appear to be a continuation of the garden in the distance. The grounds included a Baroque-style garden, which in the 19th century was transformed into a landscaped park. The garden includes large grass terraces and a shaped topiary hedge. The garden area in front of the palace building is framed by trees and a sculpted hills, which is accessible by trails. Under one of the lindens in the castle grounds is a memorial plaque to the poet Andersen, who is said to have worked there for many of his stories. Within the park, there are two summer-houses and outbuildings, which after the departure of the ducal family in 1848, were converted to public use. The House of Prince is a small, relatively spartan-appearing house. It was built in 1765 for Emil August, the younger brother of Duke Frederick Christian I. The red house served as a hermitage for Emil August who lived there until his death in 1786. The small estate was bequeathed to his sister, Christine Louise Caroline, for use in her lifetime. The palace church, which now serves as the parish church of Augustenborg, is open to the public in the summer months. Tours of the ducal apartments can be arranged by appointment.References:
From its origin as a small stronghold built by the ancient Illyrian tribe Dalmatae, becoming a royal castle that was the seat of many Croatian kings, to its final development as a large fortress during the Ottoman wars in Europe, Klis Fortress has guarded the frontier, being lost and re-conquered several times. Due to its location on a pass that separates the mountains Mosor and Kozjak, the fortress served as a major source of defense in Dalmatia, especially against the Ottoman advance, and has been a key crossroad between the Mediterranean belt and the Balkan rear.
Since Duke Mislav of the Duchy of Croatia made Klis Fortress the seat of his throne in the middle of the 9th century, the fortress served as the seat of many Croatia"s rulers. The reign of his successor, Duke Trpimir I, the founder of the Croatian royal House of Trpimirović, is significant for spreading Christianity in the Duchy of Croatia. He largely expanded the Klis Fortress, and in Rižinice, in the valley under the fortress, he built a church and the first Benedictine monastery in Croatia. During the reign of the first Croatian king, Tomislav, Klis and Biograd na Moru were his chief residences.
In March 1242 at Klis Fortress, Tatars who were a constituent segment of the Mongol army under the leadership of Kadan suffered a major defeat while in pursuit of the Hungarian army led by King Béla IV. After their defeat by Croatian forces, the Mongols retreated, and Béla IV rewarded many Croatian towns and nobles with 'substantial riches'. During the Late Middle Ages, the fortress was governed by Croatian nobility, amongst whom Paul I Šubić of Bribir was the most significant. During his reign, the House of Šubić controlled most of modern-day Croatia and Bosnia. Excluding the brief possession by the forces of Bosnian King, Tvrtko I, the fortress remained in Hungaro-Croatian hands for the next several hundred years, until the 16th century.
Klis Fortress is probably best known for its defense against the Ottoman invasion of Europe in the early 16th century. Croatian captain Petar Kružić led the defense of the fortress against a Turkish invasion and siege that lasted for more than two and a half decades. During this defense, as Kružić and his soldiers fought without allies against the Turks, the military faction of Uskoks was formed, which later became famous as an elite Croatian militant sect. Ultimately, the defenders were defeated and the fortress was occupied by the Ottomans in 1537. After more than a century under Ottoman rule, in 1669, Klis Fortress was besieged and seized by the Republic of Venice, thus moving the border between Christian and Muslim Europe further east and helping to contribute to the decline of the Ottoman Empire. The Venetians restored and enlarged the fortress, but it was taken by the Austrians after Napoleon extinguished the republic itself in 1797. Today, Klis Fortress contains a museum where visitors to this historic military structure can see an array of arms, armor, and traditional uniforms.