Horne Church is the only round church on Funen. Originally constructed from granite stonework, it was modified in the 15th century with the addition of Gothic extensions on the east and west. The history of Horne Church is inextricably tied to Hvedholm Manor, located about 2 kilometres to the south and to the noble family Brahe associated with that estate. Several of the church's content items date from the 17th century and earlier; one of the original possessions is a medieval document known as the Hornebook, a national treasure of Denmark that is currently held by the National Museum, Copenhagen.
The original central round church is a ponderous looking medieval structure, attached to which are the rectilinear east and west wings. The alignment of these later extensions was not quite set at 180 degrees, so that the resulting central interior aisle does not split the congregation pews evenly, and the traditional women's side is more spacious than the men's. The circular roof of the massive central tower is constructed of lead panels, which forms an interesting colour and texture contrast to the orange-red roof tiling of the remainder. The exterior stonework has been covered over by many layers of white paint, giving a look of an almost harled coating.
There are three interesting and delicately designed weather vanes atop the church, one at the apex of each of the vaulted circular towers, but each at a different height. On one of the vanes are the initials P.B.B. (Preben Bille Brahe) to denote the association of the Brahe family of Hvedholm. The church tower bells are dated to 1568 and 1613.
The curved lines of the gables of the taller western square tower reveal the Renaissance character of that element. These gables attain a height of 32.4m, and are the highest element other than the west circular tower. The entry porch displays the Vicars' Plaque, bearing the date 1472.
The interior features a granite baptismal font, one of the oldest interior remains from the Middle Ages construction, matching the exterior stonework. The pulpit, of French Empire influence, is situated within the central round original church because of the elongated congregation seating. Perhaps the most interesting interior feature is situated at the upper level near the pulpit: a special box for the noble Brahe family, called the 'Count's Box'. This box was constructed at the behest of the earlier mentioned Preben Bille Brahe and is designed almost identically to those boxes of the Royal Danish Theatre. The nephew of Bille Brahe was astronomer Tycho Brahe, who was reared by his uncle and would have sat in this box on Sundays as a child. Not only did the Brahe nobility have its privileged seating, but the Brahe servants had their own private upper level box, called the 'Tjenerloftet' or 'Servants' Loft'. The interior has a painted wood coffered ceiling under the organ gallery.
Beside the original granite baptismal font now situated within the entrance porch is an intentionally uncomfortable bench called the 'kællingbænken', or 'hags' bench'. The present baptismal font is believed to be the work of Bertel Thorvaldsen; however, the font was loaned out in the early 20th century, and no one is able to tell whether the Thorvaldsen font was returned or a similar one from Svanninge. Other yet older treasures of the church are the ciborium from 1639 and the chalice from 1676. The bronze candlesticks dating to 1640 are another special holding.References:
The Beckov castle stands on a steep 50 m tall rock in the village Beckov. The dominance of the rock and impression of invincibility it gaves, challenged our ancestors to make use of these assets. The result is a remarkable harmony between the natural setting and architecture.
The castle first mentioned in 1200 was originally owned by the King and later, at the end of the 13th century it fell in hands of Matúš Èák. Its owners alternated - at the end of the 14th century the family of Stibor of Stiborice bought it.
The next owners, the Bánffys who adapted the Gothic castle to the Renaissance residence, improved its fortifications preventing the Turks from conquering it at the end of the 16th century. When Bánffys died out, the castle was owned by several noble families. It fell in decay after fire in 1729.
The history of the castle is the subject of different legends. One of them narrates the origin of the name of castle derived from that of jester Becko for whom the Duke Stibor had the castle built.
Another legend has it that the lord of the castle had his servant thrown down from the rock because he protected his child from the lords favourite dog. Before his death, the servant pronounced a curse saying that they would meet in a year and days time, and indeed precisely after that time the lord was bitten by a snake and fell down to the same abyss.
The well-conserved ruins of the castle, now the National Cultural Monument, are frequently visited by tourists, above all in July when the castle festival takes place. The former Ambro curia situated below the castle now shelters the exhibition of the local history.