Ulstrup Castle traces its history back to the end of the 14th century when it was owned by Jens Brandsen. Later owners include Queen Margaret I but the original house later disappeared and Ulstrup continued to exist as a village. It was acquired by privy councilor Christen Skeel in 1579 and dissolved to make way for his new manor house which was built in 1591. The building was expanded between 1615 and 1617 by his son, Jørgen Skeel, and an agricultural building (avlsgården) was built in 1668.
The estate remained in the possession of the Skeel/Scheel family until 1809. Later in the century, Ulstrup reappeared as a railway town located on the Langå-Viborg railway line which opened in 1863. In the 1920s, Ulstrup was dissolved and most of the land sold in parcels. From 1951 the remaining grounds housed an amusement park and zoo.
The north wing of the complex incorporates Christen Skeel's original house from 1591. His son's expansion added a south and a west wing. The complex was later closed with the construction of a lower gate wing to the east. The gate wing is flanked by two octagonal corner pavilions and its central section, above the gate, is topped by a small tower with a lantern. The west wing was demolished in 1755.
Since 1980, Ulstrup Castle has been re-established as a manor house after much of the land was reacquired and the buildings thoroughly restored.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.