History of Denmark between 1523 - 1658
The Reformation, which originated in the German lands in the early 16th century from the ideas of Martin Luther (1483–1546), had a considerable impact on Denmark. The Danish Reformation started in the mid-1520s. Some Danes wanted access to the Bible in their own language. In 1524 Hans Mikkelsen and Christiern Pedersen translated the New Testament into Danish.
Hans Tausen, a Danish monk, had traveled to Wittenberg in Saxony and come under the influence of the teachings of Luther. On Good Friday in 1525, Tausen used the pulpit at Antvorskov Abbey Church to proclaim Luther's reforms. Tausen's preaching converted ordinary people, merchants, nobles, and monks and even the Prior grew to appreciate Tausen and ordered his release. Viborg became the center for the Danish Reformation for a time. Lutheranism spread quickly to Aarhus and Aalborg.
Within months King Frederick appointed Tausen as one of his personal chaplains (October 1526) in order to protect him from Catholics. Tausen's version of Luther's ideas spread throughout Denmark. Copenhagen became a hotbed of reformist activity and Tausen moved there to continue his work. Luther's ideas spread rapidly as a consequence of a powerful combination of popular enthusiasm for church reform and a royal eagerness to secure greater wealth through the seizure of church lands and property. In Denmark the reformation increased the crown's revenues by 300%. Frederick I died in 1533. His successor King Christian III carried out the Protestant Reformation in Slesvig, Holsten, Denmark and Norway, but caused also lot of resistance.
The Protestants captured Skipper Clement (1534), and later executed him in 1536. Christian III's mercenary troops put an end to Catholic hopes on Zealand and then Funen. Skåne rebels went as far as proclaiming Christian II king again. King Gustav Vasa of Sweden sent two separate armies to ravage Halland and Skåne into submission. Besiegers finally starved the last hold-outs in the rebellion, Copenhagen and Malmø, into surrender in July 1536. By the spring of 1536 Christian III had taken firm control. Denmark became officially Lutheran on 30 October 1536.
The Dano-Norwegian Kingdom grew wealthy during the 16th century, largely because of the increased traffic through the Øresund, which Danes could tax because Denmark controlled both sides of the Sound. The trade in grain exports from Poland to the Netherlands and to the rest of Europe grew enormously at this time, and the Danish kings did not hesitate to cash in on it.
The Danish economy benefited from the Eighty Years' War (1568–1648) in the Netherlands because a large number of skilled refugees from that area (the most economically advanced in Europe) came to Denmark. This helped to modernize many aspects of society and to establish trading links between Denmark and the Netherlands.
Denmark–Norway had a reputation as a relatively powerful kingdom at this time. European politics of the 16th century revolved largely around the struggle between Catholic and Protestant forces, so it seemed almost inevitable that Denmark, a strong, unified Lutheran kingdom, would get drawn into the larger war when it came. The Thirty Years' War went badly for the Protestant states in the early 1620s, and a call went out to Denmark–Norway to "save the Protestant cause".
King Christian IV, who was also a duke of the Holy Roman Empire on the basis of his possessions in Holstein, decided to intervene in the conflict raging in northern Germany. The campaign ended in defeat, and Jutland was occupied by the imperial army of Albrecht von Wallenstein. In the Treaty of Lübeck, Christian made peace and agreed to not intervene in Germany again. The war in Germany had been very expensive and Christian IV saw no other recourse than to raise the Sound tolls. Unfortunately, this act pushed the Netherlands away from Denmark and into the arms of Sweden.
In 1643, Sweden's armies, under the command of Lennart Torstenson, suddenly invaded Denmark without declaring war. The ensuing conflict became known as the Torstenson War. The Netherlands, wishing to end the Danish stranglehold on the Baltic, joined the Swedes in their war against Denmark–Norway. In October 1644 a combined Dutch-Swedish fleet destroyed 80 percent of the Danish fleet in the Battle of Femern. The result of this defeat proved disastrous for Denmark–Norway: in the Second treaty of Brömsebro (1645) Denmark ceded to Sweden the Norwegian provinces Jemtland, Herjedalen and Älvdalen as well as the Danish islands of Gotland and Øsel. Halland went to Sweden for a period of 30 years and the Netherlands were exempted from paying the Sound Duty.
Nevertheless, Danes remember Christian IV as one of the great kings of Denmark. He had a very long reign, from 1588 to 1648, and has become known as "the architect on the Danish throne" because of the large number of building projects he undertook. Many of the great buildings of Denmark date from his reign. After the death of Christian IV in 1648, his son Frederick succeeded him.
Castle de Haar is the largest and most fairytale-like castle in the Netherlands. The current buildings, all built upon the original castle, date from 1892 and are the work of Dutch architect P.J.H. Cuypers, in a Neo-Gothic restoration project funded by the Rothschild family.
The oldest historical record of a building at the location of the current castle dates to 1391. In that year, the family De Haar received the castle and the surrounding lands as fiefdom from Hendrik van Woerden. The castle remained in the ownership of the De Haar family until 1440, when the last male heir died childless. The castle then passed to the Van Zuylen family. In 1482, the castle was burned down and the walls were torn down, except for the parts that did not have a military function. These parts probably were incorporated into the castle when it was rebuilt during the early 16th century. The castle is mentioned in an inventory of the possessions of Steven van Zuylen from 1506, and again in a list of fiefdoms in the province Utrecht from 1536. The oldest image of the castle dates to 1554 and shows that the castle had been largely rebuilt by then. After 1641, when Johan van Zuylen van der Haar died childless, the castle seems to have gradually fallen into ruins. The castle escaped from total destruction by the French during the Rampjaar 1672.
In 1801 the last catholic van Zuylen in the Netherlands, the bachelor Anton-Martinus van Zuylen van Nijevelt (1708-1801) bequeathed the property to his cousin Jean-Jacques van Zuylen van Nyevelt (1752-1846) of the catholic branch in the Southern Netherlands. In 1890, De Haar was inherited by Jean-Jacques' grandson Etienne Gustave Frédéric Baron van Zuylen van Nyevelt van de Haar (1860-1934), who married Baroness Hélène de Rothschild. They contracted architect Pierre Cuypers in 1892 to rebuild the ruinous castle, which took 15 years.
In 1887, the inheritor of the castle-ruins, Etienne van Zuylen van Nijevelt, married Hélène de Rothschild, of theRothschild family. Fully financed by Hélène's family, the Rothschilds, the couple set about rebuilding the castle from its ruins. For the restoration of the castle, the famous architect Pierre Cuypers was hired. He would be working on this project for 20 years (from 1892 to 1912). The castle has 200 rooms and 30 bathrooms, of which only a small number on the ground floor have been opened to be viewed by the public. In the hall, Cuypers has placed a statue with his own image in a corner of the gallery on the first floor.
The castle was equipped by Cuypers with the most modern gadgets, such as electrical lighting with its own generator, and central heating by way of steam. This installation is internationally recognized as an industrial monument. The kitchen was for that period also very modern and still has a large collection of copper pots and pans and an enormous furnace of approximately 6 metres long, which is heated with peat or coals. The tiles in the kitchen are decorated with the coats of arms of the families De Haar and Van Zuylen, which were for this purpose especially baked in Franeker. Cuypers marked out the difference between the old walls and the new bricks, by using a different kind of brick for the new walls. For the interior Cuypers made a lot of use of cast iron.
In the castle one can see many details which reminds one of the family De Rothschild, such as the David stars on the balconies of the knight's hall, the motto of the family on the hearth in the knight's hall (A majoribus et virtute) and the coat of arms of the family right underneath on the hearth in the library.
The interior of the castle is decorated with richly ornamented woodcarving, which reminds one of the interior of a Roman Catholic church. This carving was made in the workshop of Cuypers in Roermond. The place where later also the interiors of many Roman Catholic churches were made, designed by Cuypers. Cuypers even designed the tableware. The interior is also furnished with many works of the Rothschild collections, including beautiful old porcelain from Japan and China, and several old Flemish tapestries and paintings with religious illustrations. A showpiece is a carrier coach of the woman of a Shogun from Japan. There is only one more left in the world, which stands in a museum in Tokyo. Many Japanese tourists come to De Haar to admire exactly this coach, which was donated from the Rothschilds collections.
Surrounding the castle there is a park, designed by Hendrik Copijn, for which Van Zuylen ordered 7000 fully grown trees. Because these could not be transported through the city of Utrecht, Van Zuylen bought a house and tore it down. The park contains many waterworks and a formal garden which reminds one of the French gardens of Versailles. During the Second World War many of the gardens were lost, because the wood was used to light fires, and the soil was used to grow vegetables upon. At this time, the gardens are restored in their old splendor.
For the decoration of the park, the village Haarzuilens, except for the town church, was broken down. The inhabitants were moved to a place a kilometer further up, where a new Haarzuilens arose, where they lived as tenants of the lord of the castle. This new village was also built in a pseudo-medieval style, including a rural village green. The buildings were for the most part designed by Cuypers and his son Joseph Cuypers.