The church in Burs derives its unusual shape from the fact that it was built in stages. The nave is the oldest part of the church, dating from the early 13th century. The large tower was built in the middle of the same century, while the un-proportionally large Gothic choir was built a century later, replacing an earlierRomanesque choir and apse.
Externally, the church is noteworthy not least for its choir portal. The doorway displays Gothic sculpturesdepicting a blessing Christ, apostles and saints, as well as a large frieze spanning the whole of the portal, depicting the Parable of the Ten Virgins. The choir, and hence the choir portal, was probably built by a stonemasons' workshop sometimes referred to as Master Egypticus. The same workshop probably made an unusual, very elaborate carved limestone bench inside the church, on which traces of original paint are still visible.
The interior is spacious and airy. Of furnishings, the altarpiece deserves special mention. It is an unusually accomplished work of art made in Lübeck or northern Germany during the first half of the 15th century. The church also has a triumphal cross from the 13th century, traces of medieval stained glasspaintings and several pieces if furnishings which are later, dating from the 18th century. The church was thoroughly renovated in 1960-1964.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.