Details
Founded: 13th centuryCategory: Religious sites in Denmark
Historical period: The First Kingdom (Denmark)
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Arninge Church is a Late Romanesque church built of red brick in the 13th century. It has an intricately carved auricular altarpiece created by Henrik Werner in 1644. The church was originally dedicated to the Virgin Mary.
Built of red brick, the church consists of a Romanesque apse, chancel and nave and a Gothic porch. There is a free-standing 14th century timber bell tower adjacent to the church. The chancel has traces of a round-arched south door and of a round-arched window, now bricked up. There are also traces of two Romanesque windows in the south wall of the nave above the porch. The three cross-vaults in the nave are from the Late-Romanesque period.
The altarpiece (1644) was carved in the auricular style by Henrik Werner who also created the altarpiece in Maribo Cathedral. Werner's workshop also produced the carved font (c. 1640). The crucifix on the chancel wall was found on the loft during restoration work in 1937. The figure of Christ is from c. 1300 although the cross itself is more recent. The Renaissance pulpit is from c. 1605.
References:The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.
