Hesselagergård Manor is the oldest Renaissance building in Denmark. It was built by Johan Friis, one of the most powerful man in Denmark during the reigns of Christian III and Frederick II. It is first documented in the 13th century, when it is mentioned in Valdemar II's Liber Census Daniæ as Crown land. In 1419 it belonged to the Bild family. From 1538-50 it was rebuilt in Renaissance style by Johan Friis. Construction of the main building began in 1538, probably under the direction of Martin Bussert. It was a late-gothic stone house in two stories with a tower in the northeastern corner. In 1548 an extra storey and two more towers were added, probably by Jacob Binck. In 1550 the building was given its characteristic roof. The estate remained in the Friis family until 1682. From 1904 the estate has been owned by the Blixen-Finecke family.
The construction started as a late gothic defensive castle, built of large red brick on a granite plinth and surrounded by a moat, but by the end it had introduced many renaissance features. Especially noteworthy are the highly decorated hipped, round gables inspired by Venitean renaissance church architecture. They are among the earliest known examples of this kind in Northern Europe. Not until the following decades are they seen in townhouses of Northern France and Austrian castles, sich as Schwerin and Gadebusch (1580-83).
Also typical of the time are the blank arches below the projecting masonry and the watchman's passage at the top with machicolationfor missiles and boiling liquid (as, for example, on Johan Friis' manor house Borreby on Sjælland). Other notable features are the decorative tops to the towers and depressed round-arched windows.
Hesselagergård is famous for its frieze in the Deer Room. It depicts large deer, landscapes, towns and people and was probably executed by Jacob Brinck around 1550.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.