Stokkemarke Church dates from the mid-1200s. It was built in the Romanesque style with later additions in the Gothic period. The church was dedicated to St. Clement in 1396 although it was later associated with St. George, probably as a result of a panel from St Jørgens Hospital in Bregerup which hung in the church until 1878. A reliquary found in the high altar was a gift from Bishop Gisike of Odense (1286–1300), possibly a gift for the reconsecration of the altar on the completion of the apse which is just slightly older than the chancel. From the 14th century, the church was the property of the Crown but from the beginning of the 16th century, it was administered by Engelborg Manor on Nakskov Fjord. In 1687, it was transferred to the Bishop of Odense and later to Knuthenborg until it gained independence in 1912.
The church consists of a Late Romanesque chancel and nave and an apse, sacristy, porch and tower which were added during the Gothic period. It is built mainly of red brick with some fieldstone and with limestone trimmings. The chancel has corner lesenes and saw-tooth decorations. Both the north door and the former south door are now bricked up but traces of the original round Romanesque arches can still be seen. The tower is unusually large and almost as wide as the nave. The tower room has a pointed arch and a star-shaped vault. There is a small spire with a copper dome.
The chancel has a pointed arch and a vaulted Gothic ceiling in six segments. The original Romanesque windows in the nave were first converted into large Gothic windows with pointed arches before being replaced by today's smaller more modern windows which probably date from 1815. The cross on the altar dates from the end of the 15th century and was originally on the chancel arch. The Renaissance pulpit has four shell-shaped niches with figures of the Evangelists flanked by pilasters and covered with pointed arches.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.