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Founded: c. 1100 BCCategory: Prehistoric and archaeological sites in Denmark
Historical period: Bronze Age (Denmark)
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Louisenlund is a site with one of Denmark's largest collection of megaliths. Some 50 stones standing upright among the trees, many of them over 2.5 metres high. The megaliths, which bear no inscription, stand on low mounds or over graves where the remains of burnt bones are buried. In the early Bronze Age and late Iron Age (1100 BC), it appears to have been common practice to set megaliths over graves of this kind. The stones stand alone or in small groups. As the site has not been archeologically investigated, it is not known why the stones were raised there. Another important megalithic site on Bornholm is Gryet, a small wooded area 5 kilometres west of Nexø. Originally it had more than 60 megaliths. Some have now been removed while half those remaining have fallen to the ground. The highest of them, once standing on the mound towards the south of the wood, was removed in the 17th century to be used as a gravestone. Louisenlund was bought by King Frederik VII when he visited Bornholm in 1851. He named it after his mistress, Countess Louise Danner.
References:Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.