Fort Saumarez is a Martello tower in Saint Peter, Guernsey, on a headland that forms the northern tip of L'Erée and extends to the Lihou causeway. It was constructed in 1804 on the site of an existing battery after the onset of the Napoleonic Wars, and during the tenure (1803-1813) of Lieutenant Governor General Sir John Doyle. Doyle named the tower for the Guernsey native and renowned Royal Navy Captain, Sir James Saumarez, who at the time was commander of British naval forces in the Channel Islands. To simplify matters, Doyle had a local builder named Gray construct the tower, and two others, see below, under the rubric of 'fieldworks', thereby bypassing the Ordnance Corps.
The Fort Saumarez tower, like the other two Guernsey Martello towers, Fort Grey and Fort Hommet, was intended as a keep for the battery in which it was placed. The Guernsey Martellos are smaller than the British towers, with the Fort Saumarez and Fort Hommet towers being smaller than the Fort Grey tower. Each mounted a 24-pounder carronade on the roof to protect the battery. Fort Saumarez and Fort Hommet also have exterior staircases up to the second floor.
Doyle was responsible for substantial fortification efforts elsewhere in Guernsey, including the construction of the two other Martello towers. Because of its location, Fort Saumarez also served as one of six to ten optical telegraph stations that ringed the coast to give warning of approaching vessels.In 1852, the battery at Fort Saumarez received 32-pounder guns and 8' shell guns in place of some of its 24-pounder guns.
During World War II and the German occupation of the Channel Islands, the Germans recognized the enduring utility of the site and built a four-storey concrete observation tower on top of the fort. At some point the battery around the Fort Saumarez tower was demolished. Fort Saumarez is now privately owned and not publicly accessible.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.