La Lucerne Abbey (Abbaye Sainte-Trinité de La Lucerne) was founded in 1143 by Hasculf de Subligny, son of Othoerne, the tutor of William Adelin, both of whom perished in the White Ship disaster of 1120, and later had the support of the English crown. The new monastery was settled from Dommartin Abbey near Hesdin. The foundation stone of the permanent buildings was laid in 1164 by Achard of St. Victor, who was later buried here. Construction lasted from 1164 to 1178 and was in the Romanesque style, in the restrained and sober manner of Cistercian architecture, except that the complex was dominated by an Anglo-Norman Gothic tower. Major structural renovations were carried out in the 15th and 17th centuries.
La Lucerne was the mother-house of four other Premonstratensian monasteries: Ardenne Abbey, Mondaye Abbey and Belle-Étoile Abbey (at Cerisy-Belle-Étoile) in Normandy, and Beauport Abbey in Brittany.
During the French Revolution, in 1792, the abbey was suppressed. Its buildings were at first turned into a cotton mill and then used as a source of stone.
In 1959, under the aegis of Abbé Marcel Lelégard (1925-94), the enormous task was begun, which still continues under the 'Fondation Abbaye de La Lucerne d'Outremer', of the restoration of the abbey. The first phase of the work was the reconstruction of the abbey church, particularly the ogival crossing vaults and the west front with its Romanesque portal, continuing to the refectory and cellars.
Work has continued since then and the tithe barn, the Romanesque lavatorium (the only one in Normandy), the medieval gatehouse (with its bakery and courtrooms), the dovecote, the park, the 18th century abbot's lodgings and the ponds are all now restored . The chapel of Blessed Achard is in the process of restoration.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.