Bény-sur-Mer was created as a permanent resting place for Canadian soldiers who had been temporarily interred in smaller plots close to where they fell. As is usual for war cemeteries or monuments, France granted Canada a perpetual concession to the land occupied by the cemetery. The graves contain soldiers from the Canadian 3rd Division and 15 Airmen killed in the Battle of Normandy. The cemetery also includes four British graves and one French grave, for a total of 2049 markers. Bény-sur-Mer contains the remains of 9 sets of brothers, a record for a Second World War cemetery.
A large number of dead in the cemetery were killed in early July 1944 in the Battle for Caen. The cemetery also contains soldiers who fell during the initial D-Day assault of Juno Beach. The Canadian Prisoners of War illegally executed at the Ardenne Abbey are interred here. It also contains the grave of Rev. (H/Capt) Walter Brown, chaplain to the 27th Armoured Regiment (Sherbrooke Fusiliers) and the only chaplain killed in cold blood in World War 2. Rev Brown was murdered on the night of June 6/7 by members of III/25th SS Panzer Grenedier Regt near Galmanche, but his body was not found until July 1944. Canadians killed later in the campaign were interred in the Bretteville-sur-Laize Canadian War Cemetery.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.