The church in Pont-de-l’Arche had been dedicated to St. Vigor, the bishop of Bayeux, since at least of the 11th century. The present church maintained his memory. Built in the 16th century, overlooking the walls of the city, the church dominates the rivers Eure and Seine. The church was restored from 1865 to 1895 by MMrs Simon, an architect in Rouen, and Lefort, an architect from the Historic monuments in Seine-Maritime. The gothic building may have inspired Eustache-Hyacinthe Langlois, a native of Pont-de-l’Arche, who started speaking of flamboyant Gothic style, referring the boldly-shaped sculptures at the windows which suggest flames. The buttresses between the windows are in fat the piers of the flying buttresses.
The building consists of only one nave with six bays bordered by two aisles. The uncompleted apse accounts for the small size of the choir. The elevation inside the church is built on two floors. Two rows of windows bring in plenty of light, which reveals quite plain stonework.
The stained-glass window is the most reputed in the church. It was made in 1605 by a glassworker from Rouen. The humblest people in the city put up money for it and it shows how important the towing of boats on the Seine was, (people had to tow them under an arch of the bridge). Thus, in the foreground, the window shows the “fort de Limaie”, which stood on the right bank of the Seine (where Igoville is now). In the middleground, there is the bridge which gave the city its name, and in the background, the first walls which were built around Pont-de-l’Arche.
The church shelters an organ built in 1608 by Jean Oury in Crépin Carlier’s workshop (he being an organ-builder in Rouen). The retables come from Notre-Dame de Bonport. The sculptures represent lions which probably refer to Richard the Lionheart, who founded the abbey in 1190.References:
Glimmingehus is the best preserved medieval stronghold in Scandinavia. It was built 1499-1506, during an era when Scania formed a vital part of Denmark, and contains many defensive arrangements of the era, such as parapets, false doors and dead-end corridors, 'murder-holes' for pouring boiling pitch over the attackers, moats, drawbridges and various other forms of death traps to surprise trespassers and protect the nobles against peasant uprisings. The lower part of the castle's stone walls are 2.4 meters (94 inches) thick and the upper part 1.8 meters (71 inches).
Construction was started in 1499 by the Danish knight Jens Holgersen Ulfstand and stone-cutter-mason and architect Adam van Düren, a North German master who also worked on Lund Cathedral. Construction was completed in 1506.
Ulfstand was a councillor, nobleman and admiral serving under John I of Denmark and many objects have been uncovered during archeological excavations that demonstrate the extravagant lifestyle of the knight's family at Glimmingehus up until Ulfstand's death in 1523. Some of the most expensive objects for sale in Europe during this period, such as Venetian glass, painted glass from the Rhine district and Spanish ceramics have been found here. Evidence of the family's wealth can also be seen inside the stone fortress, where everyday comforts for the knight's family included hot air channels in the walls and bench seats in the window recesses. Although considered comfortable for its period, it has also been argued that Glimmingehus was an expression of "Knighthood nostalgia" and not considered opulent or progressive enough even to the knight's contemporaries and especially not to later generations of the Scanian nobility. Glimmingehus is thought to have served as a residential castle for only a few generations before being transformed into a storage facility for grain.
An order from Charles XI to the administrators of the Swedish dominion of Scania in 1676 to demolish the castle, in order to ensure that it would not fall into the hands of the Danish king during the Scanian War, could not be executed. A first attempt, in which 20 Scanian farmers were ordered to assist, proved unsuccessful. An additional force of 130 men were sent to Glimmingehus to execute the order in a second attempt. However, before they could carry out the order, a Danish-Dutch naval division arrived in Ystad, and the Swedes had to abandon the demolition attempts. Throughout the 18th century the castle was used as deposit for agricultural produce and in 1924 it was donated to the Swedish state. Today it is administered by the Swedish National Heritage Board.
On site there is a museum, medieval kitchen, shop and restaurant and coffee house. During summer time there are several guided tours daily. In local folklore, the castle is described as haunted by multiple ghosts and the tradition of storytelling inspired by the castle is continued in the summer events at the castle called "Strange stories and terrifying tales".