Fort National stands on l'Îlette rock. This was originally the site of a beacon that was lit at night to act as a lighthouse. Îlette was also a place of public executions for the seigniory of Saint Malo, which burnt criminals there. Latter a gallows occupied the site. A model in Saint-Malo's history museum suggests that a battery may have occupied the site before the subsequent erection of the Vauban fort.
The engineer Siméon Garangeau built the fort following Vauban's plans, and on the orders of King Louis XIV. Construction seems to have taken from 1689 to 1693. The fort augmented the defences of the city, and was part of a chain of fortifications that stretched from Fort-la-Latte to Pointe de la Varde. The original fort was a rectangle, built of granite, with two half bastions at the south, protecting the gate. A drawbridge gave access across a dry moat. Inside the fort there is a long building that contained quarters for the officer and troops, and equipment rooms.
On 26 November 1693, a fleet of 30 English and Dutch ships appeared off Cap Fréhel. They cannonaded Fort-la-Latte and Ébihens island, and then sailed towards Saint Malo. Three days later, the Anglo-Dutch force captured Fort de la Conchée and Cézembre island. For their attack on Saint Malo the English had brought a vessel packed with gunpowder to use as a floating mine against the city's defences, but it ran aground short of its target. The crew of the vessel were able to set off their bomb, but it was too far from its target to do any harm.
At the time, the fort was armed with 14 guns on marine carriages and three mortars. The fort contains an underground cistern with a capacity of 50,000 liters, fed by gutters, and accessible both by a trapdoor and a well. The garrison held its ammunition in a underground bomb-proof magazine with a vaulted ceiling. Angled apertures provided light and air.
In 1848 the government added a wall pierced for small arms that encircled about three-quarters of the fort. The wall was intended to protect the fort against infantry attack from the land or by troops landed on the rocks on which the fort stands. The engineers also added a small bastion in front of the gate. This gave the fort a total area of about 4000 square metres. In 1927 the government sold the fort to a private buyer.
The German army took control of the French coast from Cap Frehel to Saint-Malo by the end of June 1940. In 1942 work on fortifying Saint-Malo sped up as Hitler's Atlantic Wall project took form.
On 6 August 1944, the allies bombed Saint-Malo, which was still under German occupation. The next day the German commander imprisoned 380 men from St. Malo in the fort to prevent an uprising. The prisoners remained there for six days, where allied shellfire killed 18 of them on the night of 9 to 10 August. Food ran out on 11 August, and on 13 August 150 old men and women joined the existing prisoners. However, that evening, the Germans permit all the prisoners to leave during an hour-long truce.
The allied shellfire damaged the fort, which was later restored in accordance with Vauban's original plans. The American 83rd Infantry Division was responsible for the liberation of Saint Malo, including Fort National. The fort itself was liberated on 16 August.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.