The site of current Rennes Cathedral has been used for a cathedral more or less from the beginnings of the see in the 6th century. The earliest building was completely replaced by a Gothic cathedral in the 12th century, of which in 1490 the tower and the entire west front collapsed. The existing façade with its neoclassical granite towers in four stages was constructed over the next two centuries or so, with long gaps between the different stages: the lowest level was built between 1541 and 1543, the second from 1640 to 1654 (by Tugal Caris), and the fourth (by Pierre Corbineau) from 1654 to 1678. Yet another architect, François Hoguet, completed the towers, between 1679 and 1704, at their present height of 48 metres and added the device of Louis XVI between them.
The nave and choir however had not been restored. During vespers on 11 February 1754 a great stone fell from the roof of the choir, and it was decided, before the entire body of the cathedral collapsed, to demolish all these parts and rebuild them. The demolition was carried out between 1756 and 1768, leaving only the towers and west front standing. Rebuilding began in 1787, shortly after which the French Revolution began and all work was suspended. It did not recommence until 1816, initially under the supervision of the architect Mathurin Crucy. He died in 1826; the work was continued under the local architect Louis Richelot, and finished in 1845.
The original decoration was in a plain neo-classical style, but during the 19th century it was extensively refurbished with gilt, stucco and paintings (inspired by those in the Parliament of Rennes) to create a more sumptuous appearance. Characteristic of this cathedral is the contrast between the rich decoration, including, in front of the altar, slabs of rare marble from the Roman Forum, a gift from Pope Pius IX, and the sombre granite of the structure.
This church is dedicated to Saint Melaine, traditionally the first Bishop of Rennes, buried here in the 6th century. The present buildings were constructed in the 17th century, and were badly damaged during World War II.References:
Het Steen is a medieval fortress in the old city centre of Antwerp. Built after the Viking incursions in the early Middle Ages as the first stone fortress of Antwerp, Het Steen is Antwerp's oldest building and used to be its oldest urban centre.
Previously known as Antwerpen Burcht (fortress), Het Steen gained its current name in around 1520, after significant rebuilding under Charles V. The fortress made it possible to control the access to the Scheldt, the river on whose bank it stands. It was used as a prison between 1303 and 1827. The largest part of the fortress, including dozens of historic houses and the oldest church of the city, was demolished in the 19th century when the quays were straightened to stop the silting up of the Scheldt. The remaining building, heavily changed, contains a shipping museum, with some old canal barges displayed on the quay outside.
In 1890 Het Steen became the museum of archeology and in 1952 an annex was added to house the museum of Antwerp maritime history, which in 2011 moved to the nearby Museum Aan de Stroom. Here you’ll also find a war memorial to the Canadian soldiers in WWII.
There are some beautiful plaques on the back side of the Steen Castle at Antwerp. Canadian visitors will especially want to see the plaques thanking the Royal Hamilton Light Infantry for their part in the liberation of Antwerp, in 1944.
At the entrance to Het Steen is a bas-relief of Semini, above the archway, around 2nd century. Semini is the Scandinavian God of youth and fertility (with symbolic phallus). A historical plaque near Het Steen explains that women of the town appealed to Semini when they desired children; the god was reviled by later religious clergy. Inhabitants of Antwerp previously referred to themselves as 'children of Semini'.
At the entrance bridge to the castle is a statue of a giant and two humans. It depicts the giant Lange Wapper who used to terrorise the inhabitants of the city in medieval times.