Bergen Cathedral was first time mentioned in 1181. It retains its ancient dedication to St. Olaf. During the reign of king Haakon IV of Norway, a Franciscan friary was established near the church, then known as Olavskirken, or the church of Saint Olaf, which was incorporated in it. The church burned down in 1248 and again in 1270, but was reconstructed after both fires. In 1463, it burned down again, but this time it was not reconstructed until the 1550s, despite being declared the cathedral in 1537.
After the fires of 1623 and 1640, Bergen Cathedral received its current general appearance. The steeple on the nave was torn down, and the current tower was built. During the renovation in the 1880s by architect Christian Christie, the Rococo interior was replaced to give the interiors back their former medieval appearance.
A cannonball from the 1665 Battle of Vågen between the English and Dutch fleets remains embedded in the cathedral's exterior wall. The present organ at Bergen Cathedral, by Rieger Orgelbau, is from 1997. The organ is the fifth one in the cathedral's history; the first known organ was installed in 1549.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.