The Transfiguration Church in Kovalyovo was built around 1345. The southern annex is thought to have been designed as the burial vault of the Zhabin family. The church was notable for the frescoes created in the 14th century. During the Second World War, between 1941 and 1943, the church was destroyed. After the war, the ruins were conserved. In the 1960s, fragments of the frescoes were restored. Only 16 square metres originally survived, but the restorers (led by Alexander Grekov and Valentina Grekova) managed to retrieve about 160 square metres of frescoes from the debris. In 1970, the church was rebuilt to a design by Leonid Krasnorechyev.
The church is constructed in brick, and has one dome. It has a single apse and four square columns. This design is typical for pre-Mongol Novgorod churches. There are two auxiliary chapels of different size flanking the main building from the south and from the north. The south chapel has a set of limestone crosses inserted in the walls. The system of vault roofing features three semicircular wall gables (zakomara) which hark back to the pre-Mongol period. The pillars are square rather than circular or octagonal, as was typical for the 14th century.
The frescoes, created ca. 1380, covered the apse, the inner surface of the dome, the southern and the northern walls of the church, some of the pillars, and the interior of the western chapel. They were sponsored by Afanasy Stepanovich and his wife. The frescoes are thought to have been painted by a team of Balkan (possibly Serbian) painters. Their static and hieratic style has little in common with other Novgorodian frescoes of the period; but it shares similarities with the older Byzantine tradition. The total area of the frescoes was 450 square metres.
The interior of the dome was filled with images of the prophets. But it is the images of warrior saints that predominate. This is usually explained by the fact that in the 1370s the Grand Duchy of Moscow, with the support of other Russian states, was preparing to fight against the Golden Horde, culminating in 1380 with the Battle of Kulikovo. There is also the first Russian image of the dead Jesus Christ in the tomb.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.